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Items where Division is "04 Faculty of Humanities and Social Sciences > Departement Gesellschaftswissenschaften > Fachbereich Urban Studies"

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Jump to: 2023 | 2022 | 2021 | 1 June 2020 | 2020 | 2019 | 2018 | 2017 | 2016
Number of items at this level: 22.

2023

Moubachir, Ilham. "Moving, chatting, loitering": Gendered publicness through women's experiences at the Tangier Waterfront. 2023, Master Thesis, University of Basel, Faculty of Humanities and Social Sciences.

2022

Schubert, Jon. (2022) Disrupted Dreams of Development: Neoliberal Efficiency and Crisis in Angola. Africa, 92 (2). pp. 171-190.

Schubert, Jon. (2022) Fear and Fainting in Luanda: Paranoid Politics and the Problem of Interpretative Authority in Angola. Journal of the Royal Anthropological Institute, 28 (1). pp. 222-239.

2021

Choffat, Leandra Maria. "Home is wherever I go" – Rethinking Home and Publicness from the Perspectives of Unhoused People in Bern. 2021, Master Thesis, University of Basel, Faculty of Humanities and Social Sciences.

Erofeev, Nikolay and Stanek, Łukasz. (2021) Integrate, Adapt, Collaborate: Comecon Architecture in Socialist Mongolia. ABE Journal, 19. pp. 1-37.

1 June 2020

Siame, Gilbert and Nkula-Wenz, Laura and Zinnbauer, Dieter. (2020) Methodological Considerations For Researching Corruption And Building Urban Integrity - A Qualitative Action Experiment In Zambia. Cities of Integrity Working Paper, 2.

2020

Cupers, Kenny and Oldfield, Sophie and Herz, Manuel and Nkula-Wenz, Laura and Distretti, Emilio. (2020) Urban Studies at the University of Basel. GeoAgenda (2020/1). pp. 15-17.

Minty, Zayd and Nkula-Wenz, Laura and Roux, Naomi and Sadie, Vaughn and Selmeczi, Anna and Sitas, Rike. (2020) doual'art: Art, Publics, and the City as a "Field of Experience". In: Forces of Art: Perspectives from a Changing World. Amsterdam, pp. 283-306.

Robin, Enora and Nkula-Wenz, Laura. (2020) Beyond the success/failure of travelling urban models: Exploring the politics of time and performance in Cape Town's East City. Environment and Planning C: Politics and Space, 39 (6). pp. 1252-1273.

Schubert, Jon. (2020) Colonial Resonances. Roadsides (4). pp. 24-31.

Schubert, Jon. (2020) Wilful Entanglements: Extractive Industries and the Co-Production of Sovereignty in Mozambique. Ethnography, 21 (4). pp. 537-558.

2019

Minty, Zayd and Nkula-Wenz, Laura. (2019) Effecting Cultural Change from Below? A Comparison of Cape Town and Bandung's Pathways to Urban Cultural Governance. Cultural Trends, 28 (4). pp. 281-293.

Nkula-Wenz, Laura. (2019) Worlding Cape Town by design: Encounters with creative cityness. Environment and Planning A: Economy and Space, 51 (3). pp. 581-597.

2018

Schubert, Jon. (2018) 'A Culture of Immediatism': Co-optation and Complicity in Post-war Angola. Ethnos, 83 (1). pp. 1-19.

Schubert, Jon. (2018) Seeing is believing: Symbolic politics and the opportunities of non-democratic transition in Angola. Anthropology Today, 34 (2). pp. 18-21.

Schubert, Jon and Engel, Ulf and Macamo, Elísio. (2018) Extractive Industries and Changing State Dynamics in Africa : Beyond the Resource Curse. Routledge studies in African development. New York ; London.

2017

Allain Bonilla, Marie-Laure. (2017) Art Biennials in Africa. In: Public Art in Africa. Art et transformations urbaines à Douala = art and urban transformations in Douala. Geneva.

Allain Bonilla, Marie-Laure. (2017) Is it conceivable to decolonize Western museums of contemporary and modern art’s collections? Muséologies, 8 (2).

Schubert, Jon. (2017) Working the System: A Political Ethnography of the New Angola. Ithaca, NY ; London.

2016

Allain Bonilla, Marie-Laure. (2016) "Repositionner la photographie : quand le postcolonial devient personnel". In: Usages géopolitiques des images. Paris, pp. 162-177.

Allain Bonilla, Marie-Laure. (2016) Figurer les migrations. TDC (Textes et Documents pour la Classe), (1105). pp. 56-61.

Allain Bonilla, Marie-Laure. (2016) “1989-2005 : un moment symptomatique de la situation postcoloniale française dans les expositions d’art contemporain”. In: L’Histoire n’est pas donnée. Art contemporain et postcolonialité en France. Rennes, pp. 89-98.

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