Items where contributor is "Habermann, Ina"

No

Habermann, Ina. (2017) The Pressburger Touch. Ein ungarischer Jude im britischen Filmgeschäft. In: Lebenskunst. Erkundungen zu Biographie, Lebenswelt und Erinnerung. Festschrift für Jacques Picard. Köln, pp. 133-142.

Habermann, Ina. (2013) Wann denkt Shakespeare an Ovid? In: Carmen Perpetuum. Ovids Metamorphosen in der Weltliteratur. Basel, pp. 149-163.

Habermann, Ina. (2010) Myth, memory and the middlebrow : Priestley, du Maurier and the symbolic form of Englishness. Basingstoke.

Habermann, Ina and Kern-Stähler, Annette. (2010) Introduction: Literature and Silence. In: Anglistentag 2009 Klagenfurt: Proceedings. Trier, pp. 377-381.

Habermann, Ina. (2009) [Review of] Dympna Callaghan, The Impact of Feminism on Renaissance Studies, Basingstoke (Palgrave Macmillan) 2006, XIV–346 S., ISBN 1-4039-9212-6, GBP 55,00. Francia Recensio : Forschungen zur westeuropäischen Geschichte, 2009, No. 1.

Habermann, Ina and Feldmann, Doris, eds. (2006) Theorising Cultural Difference and Transdifference. Journal for the Study of British Cultures, Vol. 13, H. 2 (2006). Tübingen.

Habermann, Ina. (2005) Modifikationen des Modernismus – Medialität, Identität, Populärkultur. In: Kulturgeschichte der englischen Literatur : von der Renaissance bis zur Gegenwart. Tübingen, pp. 251-264.

Habermann, Ina. (2004) Einleitung – Panel 5: Lehrinhalte und Qualifikationsprofile. In: Kulturwissenschaften in der Anglistik : eine Standortbestimmung; Dokumentation einer Tagung an der Universität Dortmund, 8. bis 10. April 2003. Dortmund, pp. 44-45.

Habermann, Ina. (2003) Staging slander and gender in early modern England. Women and gender in the early modern world. Aldershot.

Habermann, Ina and Feldmann, Doris. (2003) Das Graduiertenkolleg Kulturhermeneutik im Zeichen von Differenz und Transdifferenz an der Friedrich-Alexander-Universität Erlangen-Nürnberg. Anglistik, Vol. 14, H. 2. pp. 105-112.

Habermann, Ina. (2003) The Archers’ Tale: Images of Britain in the Films of Michael Powell and Emeric Pressburger. In: Anglistentag 2002 Bayreuth: Proceedings. Trier, pp. 295-306.

Habermann, Ina and Schabert, Ina. (2002) Einleitung. In: Imaginationen des Anderen im 16. und 17. Jahrhundert. Wiesbaden, pp. 7-24.

Habermann, Ina. (2000) Two, by their bloods, and by thy Spirit one: Sir Philip Sidney and Mary Sidney Herbert, Countess of Pembroke. In: Bi-Textualität : Inszenierungen des Paares : ein Buch für Ina Schabert. Berlin, pp. 29-44.

Habermann, Ina. (1999) The Taming of the Masculine Scold : Misconstrued Femininities in Swetnam, the Woman-hater. In: Differenzen in der Geschlechterdifferenz : aktuelle Perspektiven der Geschlechterforschung = Differences within gender studies. Berlin, pp. 222-240.

Yes

Habermann, Ina and Keller, Daniela. (2021) Introduction: In the Shallows of National Identity. In: Brexit and Beyond: Nation and Identity. Tübingen, pp. 9-22.

Habermann, Ina. (2020) Gibraltarian Hauntologies: Spectres of Colonialism in the Fiction of M. G. Sanchez. Open Library of the Humanities, 6 (1). p. 19.

Habermann, Ina. (2018) Machtwort und Wortgewalt im Fall Othello. Zeitsprünge - Forschungen zur Frühen Neuzeit, 22 (3-4). pp. 286-301.

Habermann, Ina. (2018) British- European Entanglements: M.G. Sanchez' The Escape Artist and the Case of Gibraltar. Journal for Literary and Intermedial Crossings (2). b1-20.

Habermann, Ina. (2018) The Literary Channel: Identity and Liminal Space in Island Fictions. In: Spatial Modernities: Geography, Narrative, Imaginaries. London, pp. 150-160.

Habermann, Ina. (2018) English Visions: The Work of Jacquetta Hawkes Priestley. In: Fashioning England and the English Literature, Nation, Gender. Basingstoke, pp. 253-271.

Habermann, Ina. (2018) Public Intellectuals and the Politics of Literature: The Causes and Collaborations of J.B. Priestley and Jacquetta Hawkes Priestley. In: British Literature in Transition, 1940-1960: Postwar. Cambridge, pp. 192-208.

Habermann, Ina. (2017) Review of M. Matei-Chesnoiu, Geoparsing Early Modern English Drama, G. Hollis, The Absence of America. The London Stage, 1576-1642, Peter Whitfield, Mapping Shakespeare's World. Shakespeare-Jahrbuch, 153. pp. 247-250.

Habermann, Ina and Keller, Daniela. (2016) English Topographies: Introduction. In: English Topographies in Literature and Culture. Space, Place, and Identity. Leiden , pp. 1-13.

Habermann, Ina and Witen, Michelle. (2016) Introduction. In: Shakespeare and Space. Theatrical Explorations of the Spatial Paradigm. Basingstoke, pp. 1-13.

Habermann, Ina. (2015) Review of Andrew James Hartley, Shakespeare & Political Theatre in Practice, Palgrave Macmillan 2013 and Daniel Juan Gil, Shakespeare's Anti-Politics. Sovereign Power and the Life of the Flesh, Palgrave Macmillan 2013. Shakespeare-Jahrbuch, 151. pp. 254-256.

Habermann, Ina. (2015) Ominous Feasts. Celebration in Shakespeare's Drama. Shakespeare-Jahrbuch, 151. pp. 116-130.

Habermann, Ina. (2014) Hamlets Misogynie? In: Hamlet-Handbuch. Stuttgart, pp. 62-66.

Habermann, Ina. (2013) Review of Wes Williams, Monsters & their Meanings in Early Modern Culture: Mighty Magic, Oxford University Press 2011. Shakespeare-Jahrbuch, 149. pp. 280-281.

Habermann, Ina. (2013) Review of Ann Margaret Lange, Writing the Way Out. Inheritance and Appropriation in Aemilia Lanyer, Isabella Whitney, Mary (Sidney) Herbert and Mary Wroth, Peter Lang 2011. Anglistik. International journal of English studies, 24 (2). pp. 222-223.

Habermann, Ina. (2013) Introduction: Political Topographies. Archiv für das Studium der neueren Sprachen und Literaturen, 20 (2). pp. 91-95.

Habermann, Ina. (2012) ‘I shall have share in this most happy wreck’ – Shakespeare’s Topology of Shipwrecking. Shakespeare-Jahrbuch, 148. pp. 55-72.

Habermann, Ina. (2012) Review of Merle Tönnies and Heike Buschmann (eds.), Spatial Representations of British Identities, Winter 2012. Anglia, 130 (4). pp. 589-592.

Habermann, Ina. (2012) Review of Sabine Mollenhauer, Die Repräsentation von Geschlechterrollen in W. Shakespeares Dramen, Winter 2011. Archiv für das Studium der neueren Sprachen und Literaturen, 164 (249). pp. 431-433.

Habermann, Ina. (2011) Reaching Beyond Silence: Metaphors of Ineffability in English Poetry — Donne, Wordsworth, Keats, Eliot. In: Beyond Cognitive Metaphor Theory. Perspectives on Literary Metaphor. New York, pp. 77-93.

Habermann, Ina. (2011) Shakespeare’s Comedies: A Midsummer Night’s Dream and Twelfth Night. In: A History of British Drama: Genres, Developments, Interpretations. Trier, pp. 47-62.

Habermann, Ina and Kuhn, Nikolaus. (2011) Sustainable Fictions – Geographical, Literary and Cultural Intersections in J.R.R. Tolkien’s The Lord of the Rings. The Cartographic Journal, 48 (4). pp. 263-273.

Habermann, Ina. (2010) Review of "The Martin Marprelate Tracts. A Modernized and Annotated Edition" by Joseph L. Black (CUP 2008). Anglistik. International journal of English studies. pp. 187-188.

Habermann, Ina. (2010) Review John A. Lynn II, Women, Armies, and Warfare in Early Modern Europe, Ros King and Paul J.C.M. Franssen (eds.), Shakespeare and War, 2008. Shakespeare-Jahrbuch, 146. pp. 254-257.

Habermann, Ina. (2009) Review of "Upward Mobility and the Common Good, toward a Literary History of the Welfare State" by Bruce Robbins : Princeton: Princeton University Press, 2007. Zeitschrift für Anglistik und Amerikanistik, 57 (1). pp. 93-94.

Habermann, Ina. (2009) [Rezension von] Beck, Rudolf, Kuester, Hildegard und Kuester, Martin: Basislexikon anglistische Literaturwissenschaft : München 2007. Anglia, 127 (3). pp. 533-536.

Habermann, Ina. (2009) [Review of] "Shakespeares Komödien. Spiele aus dem Reich der Freiheit" by Ekkehart Krippendorff : (Berlin: Kulturverlag Kadmos, 2007). Archiv für das Studium der neueren Sprachen und Literaturen, Vol. 246. pp. 179-181.

Habermann, Ina. (2009) "What Sounds are Those, Helvellyn?" : William Wordsworths geistige Landschaften. Colloquium Helveticum, 39(2008). pp. 41-60.

Habermann, Ina. (2009) The life and death of harriet frean. In: Kindlers Literatur Lexikon. Stuttgart, pp. 191-192.

Habermann, Ina. (2009) Die Welt als Gutshof – von der Illusion, unpolitisch bleiben zu können. In: Wolfgang Clemen im Kontext seiner Zeit : ein Beitrag zur Wissenschaftsgeschichte vor und nach dem Zweiten Weltkrieg. Heidelberg, pp. 103-118.

Habermann, Ina. (2009) May Sinclair. In: Kindlers Literatur Lexikon. Stuttgart, p. 191.

Habermann, Ina. (2009) Review Laurie Maguire, Shakespeare’s Names, Oxford: Oxford University Press 2007. Shakespeare-Jahrbuch, 145. pp. 264-265.

Habermann, Ina. (2007) Review of "Feminism and Territoriality, a Bifocal Case Study of Literary Irelands" by Susanne Hagemann : Trier: wvt, 2005. Anglia, 125 (3). pp. 571-574.

Habermann, Ina. (2007) Review of "Rhetoric and Renaissance Culture" by Heinrich F. Plett : Berlin: de Gruyter, 2004. Anglia, 125 (2). pp. 367-370.

Habermann, Ina. (2007) [Rezension von] Forgone Nations - Constructions of National Identity in Elizabethan Historiography and Literature - Stanihurst, Spenser, Shakespeare by Florian Kläger : Trier, wvt 2006. Journal for the study of British cultures, Vol. 14, H. 2. pp. 178-179.

Habermann, Ina. (2007) England an Island: Englishness as a symbolic form in Jacquetta Hawkes's a Land (1951). In: Insular mentalities : mental maps of Britain : essays in honour of Bernd Lenz. Passau, pp. 89-102.

Habermann, Ina. (2007) Review Saskia Kossak, ″Frame My Face to All Occasions″ - Shakespeare’s Richard III on Screen, 2005; H.R. Coursen, Shakespeare Translated. Derivatives on Film and TV, 2005; Sarah Hatchuel, Shakespeare, from Stage to Screen, 2004. Shakespeare-Jahrbuch, 143. pp. 253-255.

Habermann, Ina. (2006) [Review of] Literaturwissenschaft in Theorie und Praxis. Eine anglistischamerikanistische Einführung. Ed. Ralf Schneider unter Mitwirkung von Christina Spittel / Hans-Werner Ludwig und Thomas Rommel: Studium Literaturwissenschaft. Arbeitstechniken und Neue Medien. Archiv für das Studium der neueren Sprachen und Literaturen, Vol. 243,. pp. 144-146.

Habermann, Ina. (2006) British Cinema and "the People’s War". In: Medialised Britain. Passau, pp. 119-139.

Habermann, Ina and Feldmann, Doris. (2006) Theorising Cultural Difference and Transdifference - Editorial. Journal for the Study of British Cultures, 13 (2). pp. 99-104.

Habermann, Ina. (2005) Review of "Theorien der Literatur, Grundlagen und Perspektiven" edited by Hans Vilmar Geppert and Hubert Zapf (Tübingen and Basel: Francke, 2003), "Theory Matters" by Vincent B. Leitch (New York, London: Routledge, 2003. Zeitschrift für Anglistik und Amerikanistik, 53 (4). pp. 411-413.

Habermann, Ina. (2005) [Rezension von] Angela McRobbie (2005), The Uses of Cultural Studies - a textbook : London et al., Sage 2005, 211 S., £ 18.99, ISBN 1-4129-845-0. Journal for the study of British cultures, Vol. 12, H. 2. pp. 175-176.

Habermann, Ina. (2005) Tennis mit Kanonenkugeln – Heinrich V und die Dynamik der Macht. In: König Heinrich V. Cadolzburg, pp. 387-411.

Habermann, Ina. (2004) Theatre and the Law: The Concept of Equity in John Webster's The White Devil. In: Realigning Renaissance Culture: Intrusion and Adjustment on the Renaissance Stage. Trier, pp. 137-148.

Habermann, Ina. (2004) [Rezension von] A Fast-Forward Version of England by Silvia Mergenthal : Heidelberg, Winter 2003. Journal for the study of British cultures, Vol. 11, H. 1. pp. 94-96.

Habermann, Ina. (2004) She has that in her belly will dry up your ink: Femininity as challenge in the equitable drama of John Webster. In: Literature, politics and law in Renaissance England. Basingstoke, pp. 100-122.

Habermann, Ina. (2004) Review Ania Loomba, Shakespeare, Race and Colonialism, 2002 and Chantal Zabus, Tempests After Shakespeare, 2002. Shakespeare-Jahrbuch, 140. pp. 303-305.

Habermann, Ina. (2004) Breathing Stones – Shakespeare and the Theatre of the Passions. Shakespeare-Jahrbuch, 140. pp. 1-18.

Habermann, Ina. (2003) Review of "Plotting Women, Gender and Narration in the Eighteenth- and Nineteenth-Century British Novel" by Alison A. Case : Charlottesville: University Press of Virginia, 1999. Zeitschrift für Anglistik und Amerikanistik, 50 (4). pp. 529-530.

Habermann, Ina. (2003) The Cultural Turn and Its Spindoctors. Anglistik. International journal of English studies, 14 (2). pp. 205-208. Heidelberg.

Habermann, Ina. (2002) Elizabeth Cary. In: Metzler-Lexikon englischsprachiger Autorinnen und Autoren. Stuttgart, pp. 104-105.

Habermann, Ina and Feldmann, Doris. (2002) Women's Cultural Criticism. In: Metzler Lexikon Gender Studies - Geschlechterforschung : Ansätze - Personen - Grundbegriffe. Stuttgart, pp. 407-408.

Habermann, Ina. (2002) [Rezension von] The Practice of Cultural Analysis - Exposing Inter-disciplinary Interpretation, edited by Mieke Bal : Stanford, Stanford University Press 1999. Journal for the study of British cultures, Vol. 9, H. 2. pp. 233-234.

Habermann, Ina and Feldmann, Doris. (2002) Cultural Feminism. In: Metzler Lexikon Gender Studies - Geschlechterforschung : Ansätze - Personen - Grundbegriffe. Stuttgart, pp. 54-55.

Habermann, Ina. (2002) Elizabeth Bowen. In: Metzler Lexikon Gender Studies - Geschlechterforschung : Ansätze - Personen - Grundbegriffe. Stuttgart, pp. 56-57.

Habermann, Ina and Feldmann, Doris. (2002) Gendered Identity. In: Metzler Lexikon Gender Studies - Geschlechterforschung : Ansätze - Personen - Grundbegriffe. Stuttgart, pp. 145-146.

Habermann, Ina and Feldmann, Doris. (2002) Geschlechterrolle. In: Metzler Lexikon Gender Studies - Geschlechterforschung : Ansätze - Personen - Grundbegriffe. Stuttgart, pp. 158-159.

Habermann, Ina. (2002) May Sinclair. In: Metzler Lexikon Gender Studies - Geschlechterforschung : Ansätze - Personen - Grundbegriffe. Stuttgart, pp. 533-534.

Habermann, Ina. (2002) Death by Water : the Theory and Practice of Shipwrecking. In: Fictions of the sea : critical perspectives on the ocean in British literature and culture. Aldershot, pp. 104-121.

Habermann, Ina. (2002) Shakespeare unlimited - News from the stock exchange. Review Christy Desmet und Robert Sawyer (ed.), Shakespeare and Appropriation, 1999; Daniel Fischlin/Mark Fortier (eds.), Adaptations of Shakespeare, 2000; Katharina Kettner, ‘Such Stuff as Films are Made on’: Shakespeare im Medienwechsel, 1999. Shakespeare-Jahrbuch, 138. pp. 242-245.

Habermann, Ina. (2001) Review of "Lebenstexte, Literarische Selbststilisierungen englischer Frauen in der frühen Neuzeit" by Gabriele Rippl : München: Wilhelm Fink Verlag, 1998. Zeitschrift für Anglistik und Amerikanistik, 49 (2). pp. 185-186.

Habermann, Ina. (2001) On the pain of not being English. In: Common ground? : crossovers between cultural studies and postcolonial studies. Trier, pp. 137-151.

Habermann, Ina and Feldmann, Doris. (2000) Review of "A Revolution in Sentiments, Manners, and Moral Opinions, Catharine Macaulay und die politische Kultur des englischen Radikalismus, 1760-1790" by Vera Nünning : Heidelberg: Universitätsverlag C. Winter, 1998. Zeitschrift für Anglistik und Amerikanistik, 48 (1). pp. 80-82.

Habermann, Ina and Klein, Bernhard. (2000) Shakespeare: Die Historien. In: Shakespeare-Handbuch : die Zeit, der Mensch, das Werk, die Nachwelt. Stuttgart, pp. 324-380.

Habermann, Ina. (1999) Review of "The Culture of Slander in Early Modern England" by Lindsay M. Kaplan : Cambridge : Cambridge University Press, 1997. Anglia, 117 (4). pp. 597-600.

Habermann, Ina. (1999) Imagining Otherness in the 16th and 17th Centuries: A Conference Report. Journal for the Study of British Cultures, 6 (1). pp. 95-96. Würzburg.

Habermann, Ina. (1998) Review Von lustigen Weibern und gehörnten Männern – Neues aus der Gender-Forschung (Helen Wilcox (ed.), Women and Literature in Early Modern Britain, 1996; Mark Breitenberg, Anxious Masculinity, 1996; Rosemary Kegl, The Rhetoric of Concealment, 1994; Laura Gowing, Domestic Dangers, 1996). Shakespeare-Jahrbuch, 134. pp. 277-282.