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From Peace To Freedom. How Classical Music Became Political in the Soviet Union, 1964-1982

Belge, Boris. (2013) From Peace To Freedom. How Classical Music Became Political in the Soviet Union, 1964-1982. Ab imperio, 2013 (2). pp. 279-297.

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Official URL: http://edoc.unibas.ch/55897/

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Abstract

The article analyzes the term "freedom" as an important concept in the history of Cold War music. This contested notion existed along two major axes of the prewar era: socialism versus liberalism and social freedom versus autonomy. These neat divisions between East and West began to unravel after 1953 when the different sides started to interact and reference each other. In presenting a case study of the "Moscow Troika" (a group of composers consisting of Alfred Schnittke, Edison Denisov, and Sofia Gubaidulina), this essay highlights the importance of communication and contact among individuals and groups in establishing notions of "freedom."
Faculties and Departments:04 Faculty of Humanities and Social Sciences > Departement Geschichte > Bereich Osteuropäische Geschichte
UniBasel Contributors:Belge, Boris
Item Type:Article, refereed
Article Subtype:Research Article
Publisher:Ab imperio
ISSN:2166-4072
e-ISSN:2164-9731
Note:Publication type according to Uni Basel Research Database: Journal article
Identification Number:
Last Modified:29 Mar 2021 08:06
Deposited On:29 Mar 2021 08:06

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