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Items where Division is "04 Faculty of Humanities and Social Sciences > Departement Altertumswissenschaften > Fachbereich Gräzistik"

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Number of items at this level: 90.

2018

Krieter-Spiro, Martha, ed. (2018) Book XIV. Homer's Iliad. The Basel Commentary. Berlin.

Brügger, Claude, ed. (2018) Book XVI. Homer's Iliad. The Basel Commentary. Berlin.

Coray, Marina, ed. (2018) Book XVIII. Homer's Iliad. The Basel Commentary.. Berlin.

Bierl, Anton. (2018) Fear in Choral Action: Thoughts about a Dionysian Emotion in Aeschylean Tragedy. In: Il teatro delle emozioni: la paura. Padua, pp. 17-40.

Bierl, Anton. (2018) God of Many Names: Dionysus in the Light of his Cult Epithets. In: Πλειών: Papers in Memory of Christiane Sourvinou-Inwood, Supplement 1. Rethymnon, pp. 229-288.

Bierl, Anton. (2018) Longus' Hyperreality: Daphnis and Chloe as a Meta-text about Mimesis and Simulation. In: Re-Wiring the Ancient, Novel, 24. Groningen, pp. 3-28.

Bierl, Anton. (2018) Odysseus als Sänger im Prozess narrativer Sinnbildung. Eine erzählarchäologische Lektüre der Abenteuergeschichten in Homers Odyssee. In: Eine Archäologie der narrativen Sinnbildung, 2/2. Paderborn, pp. 197-220.

Bierl, Anton. (2018) Symmachos esso: Theatrical Role-Playing and Mimesis in Sappho fr. 1 V. In: Συναγωνίζεσθαι. Essays in Honour of Guido Avezzù, 1. Verona, pp. 925-952.

Bierl, Anton. (2018) The mise en scène of Kingship and Power in Aeschylus’ Seven Against Thebes: Ritual Performativity or Goos, Cledonomancy and Catharsis. Skenè, 4 (2). pp. 19-54.

Bierl, Anton. (2018) [Review] Jeffrey M. Duban: The Lesbian lyre. Reclaiming Sappho for the 21st century. Clairview, West Hoathly 2016. XXXVI, 795 p. Museum Helveticum, 75 (2). pp. 226-227.

Bierl, Anton. (2018) [Review] Aldo Tagliabue: Xenophon's Ephesiaca. A paraliterary love-story from the ancient world. Ancient Narrative Supplementum 22. Barkhuis & Groningen University Library, Groningen 2017. VIII, 243 p. Museum Helveticum, 75 (2). pp. 229-230.

Coray, Marina. (2018) [Andreas Bedke] Der gute Ton bei Homer. Ausprägungen sprachlicher Höflichkeit in Ilias und Odyssee. Münster: Aschendorff 2017. 378 S. (Orbis antiquus. 49). Gnomon, 90 (5). pp. 385-388.

Wesselmann, Katharina. (2018) Alte Sprachen. Schlussbericht der Konferenz Übergang Gymnasium-Universität. Gymnasium Helveticum (01). pp. 34-37.

Willi, Andreas. (2018) Mars Gradivus. In: Vina diem celebrent. Studies in linguistics and philology in honor of Brent Vine. Ann Arbor, pp. 448-458.

Willi, Andreas. (2018) Origins of the Greek Verb. Cambridge.

2017

Brügger, Claude, ed. (2017) Book XXIV. Homer’s Iliad. The Basel Commentary. Berlin.

Willi, Andreas, ed. (2017) Sprachgeschichte und Epigraphik: Festgaben für Rudolf Wachter zum 60. Geburtstag. Innsbrucker Beiträge zur Sprachwissenschaft, 158. Innsbruck.

Bierl, Anton and Christopoulos, Menelaos and Papachrysostomou, Athina, eds. (2017) Time and Space in Ancient Myth, Religion and Culture. MythosEikonPoiesis, 10. Berlin/New York.

Coray, Marina and Krieter-Spiro, Martha and Visser, Edzard, eds. (2017) Vierter Gesang. Faszikel 2: Kommentar. Homers Ilias: Gesamtkommentar (Basler Kommentar / BK), 13. Berlin.

Bierl, Anton. (2017) Klytaimestra Tyrannos: Fear and Tyranny in Aeschylus's Oresteia (with a Brief Comparison with Macbeth). Comparative Drama, 51 (4). pp. 528-563.

Bierl, Anton. (2017) Passion in a Stoic’s Satire Directed against a Dead Caesar? Seneca’s Apocolocyntosis as a Saturnalian Text Composed for Overcoming the Crisis. Maia, 69 (2). pp. 326-349.

Bierl, Anton. (2017) Rezension von: John Scheid, Jesper Svenbro: La tortue et la lyre. Dans l’atelier du mythe antique. Paris: CNRS Editions 2014. Gnomon, 89 (5). pp. 385-389.

Bierl, Anton. (2017) The Bacchic-Chor(a)ic Chronotope: Dionysus, Chora and Chorality in the Fifth Stasimon of Sophocles’ Antigone. In: Time and Space in Ancient Myth, Religion and Culture. Berlin/New York, pp. 99-144.

Bierl, Anton. (2017) ‘Hail and Take Pleasure!’ Making Gods Present In Narration Through Choral Song and Other Epiphanic Strategies in the Homeric Hymns to Dionysus and Apollo. In: The Winnowing Oar. New Perspectives in Homeric Studies. Berlin/New York, pp. 231-266.

Bierl, Anton and Christopoulos, Menelaos and Papachrysostomou, Athina. (2017) Preface. In: Time and Space in Ancient Myth, Religion and Culture. Berlin/New York, ix-xvii.

Willi, Andreas. (2017) Einleitung. In: Sprachgeschichte und Epigraphik: Festgaben für Rudolf Wachter zum 60. Geburtstag. Innsbruck, pp. 9-16.

Willi, Andreas. (2017) Further thoughts on the syntax of Il. 5.265-269. Mnemosyne, 70 (5). pp. 859-866.

Willi, Andreas. (2017) Krieg und Frieden im frühen Rom: Altes und Neues zum carmen Arvale. In: Sprachgeschichte und Epigraphik: Festgaben für Rudolf Wachter zum 60. Geburtstag. Innsbruck, pp. 147-233.

Willi, Andreas. (2017) Register variation and tense/aspect/mood categories in Ancient Greek: problems and perspectives. In: Variation and Change in Ancient Greek Tense, Aspect and Modality. Leiden, pp. 261-286.

Willi, Andreas. (2017) Towards a grammar of narrative voice: from Homeric pragmatics to Hellenistic stylistics. In: Voice and Voices in Antiquity. Boston, pp. 233-259.

Willi, Andreas. (2017) kakós and kalós. In: Etymology and the European lexicon. proceedings of the 14th Fachtagung der Indogermanischen Gesellschaft, 17-22 September 2012, Copenhagen. Wiesbaden, pp. 505-514.

2016

Coray, Marina, ed. (2016) Achtzehnter Gesang. Faszikel 2: Kommentar. Homers Ilias: Gesamtkommentar (Basler Kommentar / BK), 11. Berlin.

Coray, Marina. (2016) Rezension zu Marina Berzins McCoy: Wounded Heros. Vulnerability as a Virtue in Ancient Greek Literature and Philosophy, Oxford 2013. Gnomon, 88 (8). pp. 673-676.

Wesselmann, Katharina. (2016) Latein auf neuen Wegen – Das neue Fach Lingua Latein. Babylonia (3). pp. 34-35.

Wesselmann, Katharina. (2016) No future? Possibilities and Permanence in Herodotus’ Histories. In: Knowing Future Time in and through Greek Historiography. Berlin, pp. 195-214.

Wesselmann, Katharina. (2016) Se non è vero: On the use of untrue stories in Herodotus. In: Truth and History in the Ancient World. Pluralizing the Past. London, pp. 130-154.

Willi, Andreas. (2016) Rezension: C. LeFeuvre, Homeros dysgnostos: Réinterprétations de termes homériques en grec archaïque et classique, Genève 2015. Museum Helveticum, 73. pp. 241-242.

Willi, Andreas. (2016) The Oscan perfect in -TT-. Transactions of the Philological Society, 114 (1). pp. 75-94.

2015

Lämmle, Rebecca. (2015) [Review of] "Carl A. Shaw: Satyric Play. The Evolution of Greek Comedy and Satyr Drama. Oxford/New York. Oxford University Press 2014". Bryn Mawr Classical Review, 2015.08.11.

Willi, Andreas. (2015) Epicharmus, the Pseudepicharmeia, and the Origins of Attic Drama. In: Fragmente einer Geschichte der griechischen Komödie = Fragmentary History of Greek Comedy. Heidelberg, pp. 109-145.

Willi, Andreas. (2015) The language of Greek literature. In: A Companion to Greek Literature. Chichester, pp. 443-460.

2014

Lämmle, Rebecca. (2014) Das Satyrspiel. In: Handbuch der griechischen Literatur der Antike, Bd. 2: Die Literatur der nachklassischen Zeit. München, pp. 926-967.

Lämmle. Rebecca, . (2014) Quartum datur: Das Satyrspiel in der tragischen Tetralogie. In: Die Macht des Vierten : über eine Ordnung der europäischen Kultur.. Hamburg, pp. 99-119.

Stoevesandt, Magdalene. (2014) Rezension zu: Catherine Collobert: Parier sur le temps. La quête héroïque d'immortalité dans l'épopée homérique, Paris 2011. Gnomon, 86 (1). pp. 1-5.

Willi, Andreas. (2014) La variante ‘classica’ nel diasistema del greco antico. In: La nozione di Classico in linguistica. Atti del XXXVIII Convegno della Società Italiana di Glottologia. Roma, pp. 57-68.

Willi, Andreas. (2014) The language(s) of comedy. In: The Cambridge Companion to Greek Comedy. Cambridge, pp. 168-185.

2013

Lämmle, Rebecca. (2013) Euripides. In: Historische Gestalten der Antike. Stuttgart, pp. 439-452.

Lämmle, Rebecca. (2013) Poetik des Satyrspiels. Bibliothek der klassischen Altertumswissenschaften. Neue Folge. Reihe 2, Bd. 136. Heidelberg.

2012

Probert, Philomen and Willi, Andreas, eds. (2012) Laws and Rules in Indo-European. Oxford.

Lämmle, Rebecca. (2012) [Rezension von] Franco Ferrari, Sappho’s Gift, The Poet and Her Community : Ann Arbor, 2010. Museum Helveticum, Vol. 69. p. 210.

Lämmle, Rebecca and Scheidegger Lämmle, Cédric. (2012) Homer on Kithairon : Negotiating Narrative and Dramatic Representation in Euripides’ Bacchae. The classical journal, Vol. 108, no. 2. pp. 129-158.

Petrovic, Andrej. (2012) Tieropferrituale in den griechischen Zauberpapyri aus ästhetischer Sicht. In: Ästhetik des Opfers. Zeichen/Handlungen in Ritual und Spiel. Paderborn, pp. 35-62.

Petrovic, Ivana and Lämmle, Rebecca. (2012) Dichtung, Reinheit, Opferritual. In: Ästhetik des Opfers. Zeichen/Handlungen in Ritual und Spiel. Paderborn, pp. 107-130.

Probert, Philomen and Willi, Andreas. (2012) Introduction. In: Laws and Rules in Indo-European. Oxford, pp. 1-16.

Versnel, Henk and Lämmle, Rebecca. (2012) Komische Verwertung von Opferbräuchen – Hermes zum Beispiel (aus dem Engl. übersetzt von R.L.). In: Ästhetik des Opfers. Zeichen/Handlungen in Ritual und Spiel. Paderborn, pp. 15-33.

Willi, Andreas. (2012) Challenging authority: Epicharmus between epic and rhetoric. In: Theater Outside Athens: Drama in Greek Sicily and South Italy. Cambridge, pp. 56-75.

Willi, Andreas. (2012) Greek. In: Languages from the World of the Bible. Berlin, pp. 209-241.

Willi, Andreas. (2012) Kiparsky’s Rule, thematic nasal presents, and athematic verba vocalia in Greek. In: Laws and Rules in Indo-European. Oxford, pp. 260-276.

Willi, Andreas. (2012) ‘We speak Peloponnesian’: tradition and linguistic identity in post-classical Sicilian literature. In: Language and Linguistic Contact in Ancient Sicily. Cambridge, pp. 265-288.

2011

Lämmle, Rebecca. (2011) Das Satyrspiel. In: Handbuch der griechischen Literatur der Antike. Bd. 1, Die Literatur der archaischen und klassischen Zeit, 2011. München, pp. 611-663.

Lämmle, Rebecca. (2011) [Rezension von] Eric Csapo, Actors and Icons of the Ancient Theater : Malden, MA, 2010. Museum Helveticum, Vol. 68. pp. 225-226.

Lämmle, Rebecca. (2011) [Rezension von] Gregory Dobrov (Hg.), Brill’s Companion to the Study of Greek Comedy : Leiden/Boston, 2010. Museum Helveticum, Vol. 68. pp. 217-218.

2010

Lämmle, Rebecca. (2010) [Rezension von] Dee L. Clayman, Timon of Phlius, Pyrrhonism into Poetry : Berlin/New York, 2009. Museum Helveticum, Vol. 67. pp. 239-240.

Willi, Andreas. (2010) Campaigning for utilitas: style, grammar and philosophy in C. Iulius Caesar. In: Colloquial and Literary Latin. Cambridge, pp. 229-242.

2009

West, Martin L. and Latacz, Joachim, eds. (2009) Neunzehnter Gesang. Faszikel 1: Text und Übersetzung. Homers Ilias: Gesamtkommentar (Basler Kommentar / BK), 6. Berlin.

Coray, Marina, ed. (2009) Neunzehnter Gesang. Faszikel 2: Kommentar. Homers Ilias: Gesamtkommentar (Basler Kommentar / BK), 6. Berlin.

Fusillo, Massimo and Lämmle, Rebecca. (2009) Fragmentierung des Dionysos. Performative Strategien in den Bakchen-Inszenierungen. In: Theater des Fragments. performative Strategien im Theater zwischen Antike und Postmoderne. Bielefeld, pp. 259-269.

Lämmle, Rebecca. (2009) [Rezension von] Euripides VIII, Fragments, Oedipus-Chrysippus, Other Fragments : Cambridge, MA/London, UK, 2008 Euripides. VII/VIII: Fragments. VII: Aegeus–Meleager; VIII: Oedipus–Chrysippus; Other Fragments. Edited and translated by Christopher Collard and Martin Cropp. Loeb Classical Library, Cambridge MA/London 2008. VII: XXXIX, 640 S.; VIII: XXIII, 710 S. Museum Helveticum, 66 (4). pp. 234-235.

Lämmle, Rebecca. (2009) [Rezension von] S. Douglas Olson, Broken Laughter, Select Fragments of Greek Comedy : Oxford/New York, 2007. Museum Helveticum, Vol. 66. p. 235.

2008

West, Martin L. and Latacz, Joachim, eds. (2008) Sechster Gesang. Faszikel 1: Text und Übersetzung. Homers Ilias: Gesamtkommentar (Basler Kommentar/ BK), 4. Berlin.

Stoevesandt, Magdalene, ed. (2008) Sechster Gesang. Faszikel 2: Kommentar. Homers Ilias: Gesamtkommentar (Basler Kommentar/ BK), 4. Berlin.

Lämmle, Rebecca. (2008) [Rezension von] Charles Platter, Aristophanes and the Carnival of Genres : Baltimore, 2007. Museum Helveticum, Vol. 65. pp. 222-223.

Lämmle, Rebecca. (2008) [Rezension von] Natalia Kyriakidi, Aristophanes und Eupolis, Zur Geschichte einer dichterischen Rivalität : Berlin/New York, 2007. Museum Helveticum, Vol. 65. pp. 223-224.

2007

Lämmle, Rebecca. (2007) Der eingeschlossene Dritte : zur Funktion des Dionysos im Satyrspiel. In: Literatur und Religion : Wege zu einer mythisch-rituellen Poetik bei den Griechen. München, pp. 335-386.

Lämmle, Rebecca. (2007) [Rezension von] Enrico Medda Maria Serena Mirto/Maria Pia Pattoni (Hgg.), ΚΩΜΩΙΔΟΤΡΑΓΩΙΔΙΑ, Intersezioni del tragico e del comico nel teatro del V secolo a.C. : Pisa, 2006. Museum Helveticum, Vol. 64. pp. 240-241.

Lämmle, Rebecca. (2007) [Rezension von] Gary S. Meltzer, Euripides and the Poetics of Nostalgia : Cambridge, 2006. Museum Helveticum, Vol. 64. p. 230.

Lämmle, Rebecca. (2007) [Rezension von] Hesiod I, Theogony, Works and Days, Testimonia, Edited and translated by Glenn W. Most : Cambridge, MA/London, 2006. Museum Helveticum, Vol. 64. p. 227.

Lämmle, Rebecca. (2007) [Rezension von] James Robson, Humour, Obscenity and Aristophanes : Tübingen, 2006. Museum Helveticum, Vol. 64. p. 231.

Lämmle, Rebecca. (2007) [Rezension von] Martin Amann, Komik in den Tristien Ovids : Basel, 2006. Museum Helveticum, Vol. 64. pp. 244-245.

Lämmle, Rebecca. (2007) [Rezension von] Richard Hunter (Hg.), The Hesiodic Catalogue of Women, Constructions and Reconstructions : Cambridge, 2005. Museum Helveticum, Vol. 64. p. 228.

Lämmle, Rebecca. (2007) [Rezension von] Richard Seaford, Dionysos : London, 2006. Museum Helveticum, Vol. 64. pp. 265-266.

Lämmle, Rebecca. (2007) [Rezension] Martina Hirschberger, Gynaikōn Katalogos und Megalai Ēhoiai, Ein Kommentar zu den Fragmenten zweier Hesiodeischer Epen : München/Leipzig, 2004. Museum Helveticum, Vol. 64. pp. 227-228.

2006

Lämmle, Rebecca. (2006) [Rezension von] Dimitrios Yatromanolakis und Panagiotis Roilos (Hgg.), Greek Ritual Poetics : Cambridge, 2004. Museum Helveticum, Vol. 63. p. 223.

Lämmle, Rebecca. (2006) [Rezension von] Euripide, Il Ciclope, Introduzione, traduzione e note di Guido Paduano : Milano, 2005. Museum Helveticum, Vol. 63. p. 212.

Lämmle, Rebecca. (2006) [Rezension von] George W. Harrison (Hg.), Satyr Drama, Tragedy at Play : Swansea, 2005. Museum Helveticum, Vol. 63. pp. 224-225.

Lämmle, Rebecca. (2006) [Rezension von] Martin Revermann, Comic Business, Theatricality, Dramatic Technique, and Performance Contexts of Aristophanic Comedy : Oxford, 2006. Museum Helveticum, Vol. 63. p. 225.

2005

Lämmle, Rebecca. (2005) [Rezension von] Euripides, Selected Fragmentary Plays, Volume II, Edited with Introductions, Translations and Commentaries by C. Collard, M. J. Kropp and J. Gibert : Oxford, 2004. Museum Helveticum, Vol. 62. p. 225.

2004

Stoevesandt, Magdalene. (2004) Feinde – Gegner – Opfer. Zur Darstellung der Troianer in den Kampfszenen der Ilias. Schweizerische Beiträge zur Altertumswissenschaft, 30. Basel.

2003

Brügger, Claude and Stoevesandt, Magdalene and Visser, Edzard, eds. (2003) Zweiter Gesang (B). Faszikel 2: Kommentar. Homers Ilias: Gesamtkommentar (Basler Kommentar / BK), 2. München.

2000

Latacz, Joachim and Nünlist, René and Stoevesandt, Magdalene, eds. (2000) Erster Gesang (A). Faszikel 2: Kommentar. Homers Ilias: Gesamtkommentar (Basler Kommentar / BK), 1. München.

This list was generated on Tue Sep 17 03:54:13 2019 CEST.