Items where Author is "Hohl Trillini, Regula"

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Hohl Trillini, Regula. (2020) "Dreadful Insanity": Jane Austen and musical performance. In: Edinburgh Companion to Word and Music Studies. Edinburgh, pp. 327-332.

Hohl Trillini, Regula. (2019) [Review of] Fazel, Valerie M. and Louise Geddes (eds.), The Shakespeare User. Critical and Creative Appropriations in a Networked Culture (Palgrave Macmillan, 2017). Shakespeare-Jahrbuch, 155. pp. 272-273.

Hohl Trillini, Regula and Engler, Balz and O'Neill, Stephen. (2018) Digital Technology and the Future of Reception History. In: Shakespeare and Quotation. Cambridge, pp. 275-294.

Hohl Trillini, Regula. (2015) [Review of] Leslie C. Dunn and Katherine R. Larson, eds. Gender and Song in Early Modern England. (Ashgate, Farnham and Burlington, Vt., 2014). Music and letters, 96 (3). pp. 462-464.

Hohl Trillini, Regula. (2014) "Hamlet in der Kriminalliteratur". In: Hamlet-Handbuch. Tübingen, pp. 520-525.

Hohl Trillini, Regula. (2014) Hamlet-Zitate in der englischen Sprache und Literatur. In: Hamlet-Handbuch. Tübingen, pp. 529-532.

Hohl Trillini, Regula. (2012) Hamlet's soliloquy: An eighteenth-century genre. Borrowers and Lenders, 7 (1). pp. 1-24.

Hohl Trillini, Regula. (2012) Review of "Erin Minear: Reverberating Song in Shakespeare and Milton: Language, Memory, and Musical Representation". Renaissance Quarterly, 65 (4). pp. 1356-1357.

Hohl Trillini, Regula. (2012) Review of “Wolfgang Mieder. Sein oder Nichtsein. Kulturelle Motivstudien". Yearbook of Phraseology, 3 (1). pp. 153-155.

Hohl Trillini, Regula. (2011) Don't worry, be trendy : Shakespeares Rezeption als ermutigender Modellfall. In: Anglistentag 2010 Saarbrücken : proceedings. Trier, pp. 19-24.

Hohl Trillini, Regula. (2009) Hamlet and Textual Re-Production 1550-1650. In: The Construction of Textual Identity in Medieval and Early Modern Literature. Tübingen, pp. 163-176.

Hohl Trillini, Regula. (2009) Like perfect music unto noble words" : Gender metaphors in Victorian poetry. In: Dichotonies. Gender and Music. Heidelberg, pp. 147-162.

Hohl Trillini, Regula and Langlotz, Andreas. (2009) The Grammar of "To Be Or Not To Be". In: Phraseologie disziplinär und interdisziplinär. Tübingen, pp. 155-166.

Hohl Trillini, Regula and Quaßdorf, Sixta. (2008) Quotations and their co(n)texts : Corpus-based insights into discoursing with Hamlet. In: Variability and change in language and discourse. Strasbourg, pp. 141-155.

Hohl Trillini, Regula. (2008) The gaze of the listener : Shakespeare's sonnet 128 and early modern discourses of music and gender. Music and letters, 89, no. 1. pp. 1-17.

Hohl Trillini, Regula. (2007) Tom, Dick and ... Jack in the OED and in Sonnet 128. Shakespeare-Jahrbuch, 143. pp. 177-179.

Hohl Trillini, Regula. (2006) The Dear Dead Past : the Piano in 19th-Century Poetry. In: Phrase and subject : Studies in Literature and Music . London, pp. 112-124.

Hohl Trillini, Regula. (1997) Stimmengewirr aus schwierigen Zeiten: Erzählen über schlimme Frauen bei Raabe und Grimmelshausen. Jahrbuch der Raabe-Gesellschaft, 38. pp. 123-146.

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Engler, Balz and Hohl Trillini, Regula and Quaßdorf, Sixta. (2010) HyperHamlet.

Hohl Trillini, Regula. (2008) The Gaze of the Listener : English Representations of Domestic Music-Making. Word and music studies, 10. Amsterdam.

Hohl Trillini, Regula. (2006) Der Zuhörer ist ganz Auge.

Hohl Trillini, Regula. (2006) HyperHamlet©: Making a Corpus Out of the Literature Online Corpus. [S.l.].

Hohl Trillini, Regula. (2005) Hamlet und die Folgen.

Hohl Trillini, Regula. (2001) [Rezension von] Phyllis Weliver: Woman Musicians in Victorian Fiction, 1860-1900: Representations of Music, Science and Gender in the Leisured Home. The George Eliot review, 32. pp. 91-92.

Hohl Trillini, Regula and Quaßdorf, Sixta and Engler, Balz and Häcki Buhofer, Annelies and Roth, Tobias. HyperHamlet. Corpus of references to and quotations from Shakespeare’s Hamlet. [Research Data]