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Newbury, Darren and Rizzo, Lorena and Thomas, Kylie, eds. (2021) Women & Photography in Africa. Creative Practices and Feminist CHallenges. London.


Rizzo, Lorena. (2020) Photography & History in Colonial Southern Africa. Routledge studies in the modern history of Africa. London.

Rizzo, Lorena. (2020) Seeing through Whiteness: Late 1930s Settler Visualities in Namibia Under South African Rule. In: Visualising Fascism. The Twentieth-Century Rise od the global right. Durham, pp. 134-159.


Rizzo, Lorena. (2016) Policing the image: the Breakwater prison albums, Cape Town, in the late nineteenth and early twentieth centuries. Social history, 41 (3). pp. 285-303.

Rizzo, Lorena. (2016) The African Photographic Archive: Research and Curatorial Strategies, Edited by Christopher Morton and Darren Newbury. Bloomsbury Academic, London, 2015. History of Photography, 40 (1). pp. 96-98.

Rizzo, Lorena and Schneider, Jürg, eds. (2016) Fotografie in Afrika. Fotogeschichte. Beiträge zur Geschichte und Ästhetik der Fotografie, 36 (141). Kromsdorf (D).


Grendon, Paul and Miescher, Giorgio and Rizzo, Lorena and Smith, Tina. (2015) Usakos : photographs beyond ruins : the old location albums, 1920s-1960s. Basel.

Henrichsen, Dag and Lowry, Donal and Miescher, Giorgio and Rassool, Ciraj and Rizzo, Lorena, eds. (2015) South African Empire. Journal of Southern African Studies. Special Issue , 41 (3). Abington.

Henrichsen, Dag and Miescher, Giorgio and Rassool, Ciraj and Rizzo, Lorena. (2015) Rethinking Empire in Southern Africa. Journal of Southern African Studies, 41 (3). pp. 431-435.

Rizzo, Lorena and Grendon, Paul and Miescher, Giorgio and Smith, Tina. (2015) Photographs beyond Ruins. The Usakos Old Location Albums, 1920s to 1960s. In: Usakos : photographs beyond ruins : the old location albums, 1920s-1960s. Basel, pp. 7-25.


Rizzo, Lorena. (2014) Visual Impersonation. Population registration, reference books and identification in the Eastern Cape, 1950s-1960s. History in Africa, 41. pp. 221-248.

Rizzo, Lorena. (2014) Gender and Visuality: Identification photographs, respectability and personhood in colonial Southern Africa in the 1920s and 1930s. Gender & History, 26 (3). pp. 688-708.

Rizzo, Lorena. (2014) Shades of Empire. Zur Geschichte von Fotografie und Überwachung im kolonialen Südlichen Afrika. Fotogeschichte, 34 (133).


Rizzo, Lorena. (2013) Between the Book and the Lamp - Interiors of Bureaucracy and the Materiality of Colonial Power. African Historical Review, 45 (2). pp. 31-51.

Rizzo, Lorena. (2013) Visual Aperture - Bureaucratic Systems of Identification, Photography and Personhood in Colonial Southern Africa. History of Photography, 37 (3). pp. 263-282.

Rizzo, Lorena. (2013) Shades of Empire - Police Photography in German South-West Africa. Visual anthropology, 26 (4). pp. 328-354.


Rizzo, Lorena. (2012) Gender and Colonialism. A History of Kaoko in north-western Namibia, 1870s-1950s. Basel Namibia studies series, 14. Basel.


Miescher, Giorgio and Rizzo, Lorena and Silvester, Jeremy, eds. (2009) Posters in Action. Visuality in the Making of an African Nation. Basel.


Rizzo, Lorena. (2007) The Elephant Shooting - Colonial Law and Indirect Rule in Kaoko, Northwestern Namibia, in the 1920s and 1930s. Journal of African history, 48 (2). pp. 245-266.


Rizzo, Lorena. (2005) A Glance into the Camera: Gendered Visions of Historical Photographs in Kaoko (North‐Western Namibia). Gender & History, 17 (3). pp. 682-713.


Rizzo, Lorena. (2000) N.J. van Warmelo: Anthropology and the Making of a Reserve. In: New Notes on Kaoko. The Northern Kunene Region (Namibia) in Texts and Photographs. Basel, pp. 189-206.