Browse by Basel Contributors ID

No

Pop, Andrei. (2015) Pickled Future: On Basim Magdy's Apocalyptic Allegories. In: Perpetually Transient: Neue Blicke auf Ambivalenz durch die konstellative Anordnung der Arbeiten von Anahita Razmi, Basim Magdy, Florian Graf, Bernd Behr. Basel, pp. 72-97.

Pop, Andrei. (2010) Henry Fuseli's Oedipus and the Cultural Politics of Antiquity, c.1776-1786. Center Report, 30. pp. 139-142.

Yes

Pop, Andrei. (2014) Iconology and the Logic of Belief: A Case Study of Anselm's Chapel, Canterbury. In: IKON - Journal of Iconographic Studies, 7.

Pop, Andrei. (2013) Masks, Modernity, Egoism: Theatrical Practice in James Ensor and Maurice Maeterlinck. In: The Art of Theatre: Word, Image and Performance in France and Belgium, c.1830-1910, 23. pp. 287-305.

Pop, Andrei. (2012) Hume, David, and the Multitude. Review of Eva Kernbauer, Der Platz des Publikums. Eighteenth-Century Studies, 46 (1). pp. 157-159.

Pop, Andrei. (2012) Henry Fuseli: Greek Tragedy and Cultural Pluralism. The Art Bulletin, 94 (1). pp. 78-98.

Pop, Andrei. (2012) Das Einleuchtende am Bild:der andauernde Wert von Wittgensteins früher Bildtheorie. In: Kategorien zwischen Denkform, Analysewerkzeug und historischem Diskurs. Heidelberg, pp. 69-84.

Pop, Andrei. (2011) Sympathetic Spectators: Henry Fuseli's Nightmare and Emma Hamilton's Attitudes. Art History, 34 (5). pp. 934-957.

Pop, Andrei. (2009) În Peştera lui Polifem [In Poliphems Höhle: Adorno und Füssli interpretieren Homer]. Vatra, 7-8. pp. 146-155.