Browse by Basel Contributors ID

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Hohl Trillini, Regula. (2020) "Dreadful Insanity": Jane Austen and musical performance. In: Edinburgh Companion to Word and Music Studies. Edinburgh, pp. 327-332.

Hohl Trillini, Regula. (2019) [Review of] Fazel, Valerie M. and Louise Geddes (eds.), The Shakespeare User. Critical and Creative Appropriations in a Networked Culture (Palgrave Macmillan, 2017). Shakespeare-Jahrbuch, 155. pp. 272-273.

Hohl Trillini, Regula and Engler, Balz and O'Neill, Stephen. (2018) Digital Technology and the Future of Reception History. In: Shakespeare and Quotation. Cambridge, pp. 275-294.

Hohl Trillini, Regula. (2018) Casual Shakespeare: Three Centuries of Verbal Echoes. Routledge Studies in Shakespeare, 30. New York and London.

Hohl Trillini, Regula. (2015) [Review of] Leslie C. Dunn and Katherine R. Larson, eds. Gender and Song in Early Modern England. (Ashgate, Farnham and Burlington, Vt., 2014). Music and letters, 96 (3). pp. 462-464.

Hohl Trillini, Regula. (2014) "Hamlet in der Kriminalliteratur". In: Hamlet-Handbuch. Tübingen, pp. 520-525.

Hohl Trillini, Regula. (2014) Hamlet-Zitate in der englischen Sprache und Literatur. In: Hamlet-Handbuch. Tübingen, pp. 529-532.

Hohl Trillini, Regula. (2012) Hamlet's soliloquy: An eighteenth-century genre. Borrowers and Lenders, 7 (1). pp. 1-24.

Hohl Trillini, Regula. (2012) Review of "Erin Minear: Reverberating Song in Shakespeare and Milton: Language, Memory, and Musical Representation". Renaissance Quarterly, 65 (4). pp. 1356-1357.

Hohl Trillini, Regula. (2012) Review of “Wolfgang Mieder. Sein oder Nichtsein. Kulturelle Motivstudien". Yearbook of Phraseology, 3 (1). pp. 153-155.

Hohl Trillini, Regula. (2011) Don't worry, be trendy : Shakespeares Rezeption als ermutigender Modellfall. In: Anglistentag 2010 Saarbrücken : proceedings. Trier, pp. 19-24.

Hohl Trillini, Regula. (2011) 2B or not 2B: Hamlet lebt weiter. Alumni Magazine der Universität Basel. p. 12.

Trillini, Regula Hohl and Quassdorf, Sixta. (2010) A 'key to all quotations'? A corpus-based parameter model of intertextuality. Linguistic and Literary Computing, 25 (3). pp. 269-286.

Engler, Balz and Hohl Trillini, Regula and Quaßdorf, Sixta. (2010) HyperHamlet.

Bezzola Lambert, Ladina and Ochsner, Andrea and Jermann, Jennifer and Hohl Trillini, Regula and Marti, Markus, eds. (2009) Moment to Monument : The Making and Unmaking of Cultural Significance. Cultural studies (Transcript), Vol. 32. Bielefeld.

Hohl Trillini, Regula. (2009) Like perfect music unto noble words" : Gender metaphors in Victorian poetry. In: Dichotonies. Gender and Music. Heidelberg, pp. 147-162.

Hohl Trillini, Regula and Langlotz, Andreas. (2009) The Grammar of "To Be Or Not To Be". In: Phraseologie disziplinär und interdisziplinär. Tübingen, pp. 155-166.

Hohl Trillini, Regula. (2009) Hamlet and Textual Re-Production 1550-1650. In: The Construction of Textual Identity in Medieval and Early Modern Literature. Tübingen, pp. 163-176.

Hohl Trillini, Regula. (2008) The gaze of the listener : Shakespeare's sonnet 128 and early modern discourses of music and gender. Music and letters, 89, no. 1. pp. 1-17.

Hohl Trillini, Regula. (2008) The Gaze of the Listener : English Representations of Domestic Music-Making. Word and music studies, 10. Amsterdam.

Hohl Trillini, Regula and Quaßdorf, Sixta. (2008) Quotations and their co(n)texts : Corpus-based insights into discoursing with Hamlet. In: Variability and change in language and discourse. Strasbourg, pp. 141-155.

Hohl Trillini, Regula. (2007) Tom, Dick and ... Jack in the OED and in Sonnet 128. Shakespeare-Jahrbuch, 143. pp. 177-179.

Hohl Trillini, Regula. (2006) The Dear Dead Past : the Piano in 19th-Century Poetry. In: Phrase and subject : Studies in Literature and Music . London, pp. 112-124.

Hohl Trillini, Regula. (2006) Der Zuhörer ist ganz Auge.

Hohl Trillini, Regula. (2005) Hamlet und die Folgen.

Hohl Trillini, Regula. The gaze of the listener : representations of domestic music-making in English literature 1550-1918. 2004, Doctoral Thesis, University of Basel, Faculty of Humanities and Social Sciences.

Hohl Trillini, Regula. (2001) [Rezension von] Phyllis Weliver: Woman Musicians in Victorian Fiction, 1860-1900: Representations of Music, Science and Gender in the Leisured Home. The George Eliot review, 32. pp. 91-92.

Hohl Trillini, Regula. (1997) Stimmengewirr aus schwierigen Zeiten: Erzählen über schlimme Frauen bei Raabe und Grimmelshausen. Jahrbuch der Raabe-Gesellschaft, 38. pp. 123-146.

Hohl Trillini, Regula. Polyphonie, Intertextualität und problematisiertes Erzählen bei Raabe und Grimmelshausen. 1997, Master Thesis, University of Basel, Faculty of Humanities and Social Sciences.

Hohl Trillini, Regula and Quaßdorf, Sixta and Engler, Balz and Häcki Buhofer, Annelies and Roth, Tobias. HyperHamlet. Corpus of references to and quotations from Shakespeare’s Hamlet. [Research Data]