Items where contributor is "Pop, Andrei"

2015

Pop, Andrei. (2015) Pickled Future: On Basim Magdy's Apocalyptic Allegories. In: Perpetually Transient: Neue Blicke auf Ambivalenz durch die konstellative Anordnung der Arbeiten von Anahita Razmi, Basim Magdy, Florian Graf, Bernd Behr. Basel, pp. 72-97.

Pop, Andrei. (2015) Antiquity, Theatre, and the Painting of Henry Fuseli. Classical presences. Oxford.

2014

Klammer, Markus and Neuner, Stefan and Pop, Andrei. (2014) Neoklassizismus, Surrealismus oder Pop? Markus Klammer, Stefan Neuner und Andrei Pop im Gespräch über die Ausstellung "Charles Ray. Skulpturen 1997–2014".

Pop, Andrei. (2014) Iconology and the Logic of Belief: A Case Study of Anselm's Chapel, Canterbury. In: IKON - Journal of Iconographic Studies, 7.

Pop, Andrei and Widrich, Mechtild, eds. (2014) Ugliness. The non-beautiful in art and theory. London.

2013

Pop, Andrei. (2013) Masks, Modernity, Egoism: Theatrical Practice in James Ensor and Maurice Maeterlinck. In: The Art of Theatre: Word, Image and Performance in France and Belgium, c.1830-1910, 23. pp. 287-305.

2012

Pop, Andrei. (2012) Hume, David, and the Multitude. Review of Eva Kernbauer, Der Platz des Publikums. Eighteenth-Century Studies, 46 (1). pp. 157-159.

Pop, Andrei. (2012) Henry Fuseli: Greek Tragedy and Cultural Pluralism. The Art Bulletin, 94 (1). pp. 78-98.

Pop, Andrei. (2012) Das Einleuchtende am Bild:der andauernde Wert von Wittgensteins früher Bildtheorie. In: Kategorien zwischen Denkform, Analysewerkzeug und historischem Diskurs. Heidelberg, pp. 69-84.

2011

Pop, Andrei. (2011) Sympathetic Spectators: Henry Fuseli's Nightmare and Emma Hamilton's Attitudes. Art History, 34 (5). pp. 934-957.

2010

Pop, Andrei. (2010) Henry Fuseli's Oedipus and the Cultural Politics of Antiquity, c.1776-1786. Center Report, 30. pp. 139-142.

2009

Pop, Andrei. (2009) În Peştera lui Polifem [In Poliphems Höhle: Adorno und Füssli interpretieren Homer]. Vatra, 7-8. pp. 146-155.

2008

Pop, Andrei. (2008) How to Do Things with Pictures: A Guide to Writing in Art History. Cambridge, Massachusetts.