Guss und Projektion : die ready-mades und das Grosse Glass

Egenhofer, Sebastian. (2009) Guss und Projektion : die ready-mades und das Grosse Glass. In: Topologie : Falten, Knoten, Netze, Stülpungen in Kunst und Theorie. Wien, pp. 193-233.

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Official URL: http://edoc.unibas.ch/dok/A5262042

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The relation of Marcel Duchamps Readymades to the same artists LARGE GLASS. A reading of the Readymades as the threedimensional projections of the fourdimensional Bride. A reading of the LARGE GLASS in relation to its philosophical and scientific context (Henri Bergson, Henri Poincaré etc.). A full interpretation of the Readymades becoming - an art work, as the process that starts with the declaration, i.e. with the cut through fourdimensional becoming, that is the dated space of the now.
Faculties and Departments:04 Faculty of Humanities and Social Sciences > Departement Künste, Medien, Philosophie > Ehemalige Einheiten Kunstwissenschaften > Zeitgenössische Kunst (Egenhofer)
UniBasel Contributors:Egenhofer, Sebastian
Item Type:Book Section
Book Section Subtype:Book Chapter
Publisher:Turia + Kant
Note:Publication type according to Uni Basel Research Database: Book item
Last Modified:22 Mar 2012 14:30
Deposited On:22 Mar 2012 14:13

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