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2018

Witen, Michelle. (2018) James Joyce and Absolute Music. Historicizing Modernism. London.

Witen, Michelle. (2018) An Evening of Absolute Joyce. Bloomsbury Literary Studies Blog.

2017

Witen, Michelle. (2017) From Passion to Mania: "Frankenstein" as a Tale of Hysteria. In: Nightfall: The Gothic Imagination since Frankenstein. Los Angeles, Geneva, pp. 372-383.

2016

Habermann, Ina and Witen, Michelle, eds. (2016) Shakespeare and Space. Theatrical Explorations of the Spatial Paradigm. Palgrave Shakespeare studies. London.

Witen, Michelle. (2016) 'A Musical Pattern of Sound': Absolute Music and Four Quartets. In: The Edinburgh Companion to T. S. Eliot and the Arts. Edinburgh, pp. 179-188.

Habermann, Ina and Witen, Michelle. (2016) Introduction. In: Shakespeare and Space. Theatrical Explorations of the Spatial Paradigm. Basingstoke, pp. 1-13.

2014

Witen, Michelle. (2014) Review of "The Great American Songbooks: Musical Texts, Modernism & The Value of Popular Culture" by T. Austin Graham. Time Present: The Newsletter of the T. S. Eliot Society, 84. p. 8.

2012

Witen, Michelle. (2012) The Sound of "Sirens": Joyce's Fuga Per Canonem and Absolute Music. Variations, 20 (Spring 2012). pp. 157-169.

2011

Witen, Michelle. (2011) The Twentieth Century Calendar. James Joyce Broadsheet, 88 (February 2011). p. 3.

2010

Witen, Michelle. (2010) The Mystery of the Fuga Per Canonem Reopened? Genetic Joyce Studies (10). p. 14.

2009

Witen, Michelle. (2009) The 2008 Dublin James Joyce Summer School: "This One Time, at Joyce Camp…". James Joyce Literary Supplement, 23 (i (Spring 2009)). pp. 19-20.