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Items where Division is "04 Faculty of Humanities and Social Sciences > Departement Sprach- und Literaturwissenschaften > Fachbereich Englische Sprach- und Literaturwissenschaft > English Modern Literature (Habermann)"

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Number of items at this level: 131.

A

Aresta, Lukas. The Homoerotic Grand Tour. 2020, Master Thesis, University of Basel, Faculty of Humanities and Social Sciences.

Atmanspacher, Harald and Bezzola Lambert, Ladina and Folkers, Gerd and Schubiger, August. (2014) Relevance Relations for the Concept of Reproducibility. Interface : journal of the Royal Society, 11 (94).

B

Büttler, Emmanuel. Die Zeit malen – Die Bildpoetik aus der Perspektive einer visuellen Narratologie. 2020, Master Thesis, University of Basel, Faculty of Humanities and Social Sciences.

Bettschen, Laura. A Whore for Bread, five Times a Wife, and a Woman of Pleasure: Literary Depictions of Female Prostitution in Daniel Defoe's "Roxana" and "Moll Flanders" and John Cleland's "Fanny Hill". 2018, Master Thesis, University of Basel, Faculty of Humanities and Social Sciences.

Bezzola Lambert, Ladina. (2016) Repetition with a Difference: Reproducibility in Literature Studies. In: Reproducibility: principles, problems, practices, and prospects. London, pp. 491-510.

Bezzola Lambert, Ladina. (2016) Returning from the ‘infernal deepes’: Fiammetta’s Early Modern English Stepsisters. Rassegna Europea di Letteratura Italiana, 47. pp. 105-118.

Bezzola Lambert, Ladina. (2013) Zur Emanzipation eines neuen Gewerbes. In: Heilen – Gesunden. Das andere Arzneibuch, 9. Zurich, pp. 227-232.

Bezzola Lambert, Ladina. (2013) »Von uns selber schweigen wir« Francis Bacon auf der Schwelle zum modernen Wissenschaftsverständnis. In: Ortlose Mitte: Das Ich als kulturelle Hervorbringung. Göttingen, pp. 86-101.

Bezzola Lambert, Ladina. (2012) Shakespeares perverse Sonette: Zur Poetik der Wiedervergabe in A Lover’s Complaint. In: Liebesgaben: Kommunikative, performative und poetologische Dimensionen in der Literatur des Mittelalters und der Frühen Neuzeit, 240. Berlin, pp. 413-430.

Bezzola Lambert, Ladina. (2010) New Historicism. In: Literaturtheorien des 20. Jahrhunderts. Stuttgart, pp. 377-383.

Bezzola Lambert, Ladina. (2009) Shakespeare's belated Lucrece. In: The construction of textual identity in medieval and early modern literature. Tübingen, pp. 143-161.

Bezzola Lambert, Ladina. (2008) The art of anamorphosis in new historicist criticism. In: Mediality - intermediality. Tübingen, pp. 125-138.

Bernays, Ludwig and Marti, Markus. (2006) Shakespeare In A Roman Garb. In: Gulielmi Shakespeare Carmina Latine Reddita = Latin elegies after William Shakespeare's sonnets = Lateinische Elegien nach den Sonetten Shakespeares. Dozwil, pp. 209-228.

Bezzola Lambert, Ladina. (2005) Moving in circles : the dialectics of selfhood in religio medici. Renaissance Studies, vol. 19, no. 3. pp. 364-379.

Bezzola Lambert, Ladina. (2002) Envisioning a plurality of worlds : metaphors as systems of thought. Papers on French seventeenth century literature, Vol. 57. pp. 361-386.

Bezzola Lambert, Ladina. (2002) Imagining the unimaginable : the poetics of early modern astronomy. Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft, 58. Amsterdam.

Bezzola Lambert, Ladina. (2002) The consumed image : friendship in Montaigne and Bacon. In: Masculinities - Maskulinitäten. Stuttgart, pp. 186-193.

C

Cadalbert, Livia. Fortified Morally by the Luxurious Surroundings': The Interrelation Between Individualist and Consumerist E(s)th(et)ics in Patricia Highsmith's Ripliad. 2018, Master Thesis, University of Basel, Faculty of Humanities and Social Sciences.

G

Gomringer, Eugen. (2009) Der Sonette Gezeiten. Von der Konstellation zum Sonett. Essay / The sonnets' tides. From constellations to the sonnet. essay. Dozwil.

H

Habermann, Ina. (2020) Gibraltarian Hauntologies: Spectres of Colonialism in the Fiction of M. G. Sanchez. Open Library of the Humanities, 6 (1). p. 19.

Hohl Trillini, Regula. (2019) Review of Fazel, Valerie M., and Louise Geddes (eds.), The Shakespeare User. Critical and Creative Appropriations in a Networked Culture (Palgrave Macmillan, 2017). Shakespeare-Jahrbuch, 155. pp. 272-273.

Habermann, Ina. (2018) The Road to Brexit - A Students' Podcast Project.

Habermann, Ina. (2018) British- European Entanglements: M.G. Sanchez' The Escape Artist and the Case of Gibraltar. Journal for Literary and Intermedial Crossings (2). b1-20.

Habermann, Ina. (2018) English Visions: The Work of Jacquetta Hawkes Priestley. In: Fashioning England and the English Literature, Nation, Gender. Basingstoke, pp. 253-271.

Habermann, Ina. (2018) Machtwort und Wortgewalt im Fall Othello. Zeitsprünge - Forschungen zur Frühen Neuzeit, 22 (3-4). pp. 286-301.

Habermann, Ina. (2018) Public Intellectuals and the Politics of Literature: The Causes and Collaborations of J.B. Priestley and Jacquetta Hawkes Priestley. In: British Literature in Transition, 1940-1960: Postwar. Cambridge, pp. 192-208.

Habermann, Ina. (2018) The Literary Channel: Identity and Liminal Space in Island Fictions. In: Spatial Modernities: Geography, Narrative, Imaginaries. London, pp. 150-160.

Hägele, Kathrin. "A Guide for the Greedy": Elizabeth Robins Pennell and Women's Changing Habitus in the Nineteenth Century. 2018, Master Thesis, University of Basel, Faculty of Humanities and Social Sciences.

Habermann, Ina. (2017) Review of M. Matei-Chesnoiu, Geoparsing Early Modern English Drama, G. Hollis, The Absence of America. The London Stage, 1576-1642, Peter Whitfield, Mapping Shakespeare's World. Shakespeare-Jahrbuch, 153. pp. 247-250.

Habermann, Ina. (2017) The Pressburger Touch. Ein ungarischer Jude im britischen Filmgeschäft. In: Lebenskunst. Erkundungen zu Biographie, Lebenswelt und Erinnerung. Festschrift für Jacques Picard. Köln, pp. 133-142.

Habermann, Ina and Keller, Daniela. (2016) English Topographies: Introduction. In: English Topographies in Literature and Culture. Space, Place, and Identity. Leiden , pp. 1-13.

Habermann, Ina and Witen, Michelle. (2016) Introduction. In: Shakespeare and Space. Theatrical Explorations of the Spatial Paradigm. Basingstoke, pp. 1-13.

Habermann, Ina. (2015) Ominous Feasts. Celebration in Shakespeare's Drama. Shakespeare-Jahrbuch, 151. pp. 116-130.

Habermann, Ina. (2015) Review of Andrew James Hartley, Shakespeare & Political Theatre in Practice, Palgrave Macmillan 2013 and Daniel Juan Gil, Shakespeare's Anti-Politics. Sovereign Power and the Life of the Flesh, Palgrave Macmillan 2013. Shakespeare-Jahrbuch, 151. pp. 254-256.

Habermann, Ina. (2014) Hamlets Misogynie? In: Hamlet-Handbuch. Stuttgart, pp. 62-66.

Habermann, Ina. (2013) Introduction: Political Topographies. Archiv für das Studium der neueren Sprachen und Literaturen, 20 (2). pp. 91-95.

Habermann, Ina. (2013) Review of Ann Margaret Lange, Writing the Way Out. Inheritance and Appropriation in Aemilia Lanyer, Isabella Whitney, Mary (Sidney) Herbert and Mary Wroth, Peter Lang 2011. Anglistik. International journal of English studies, 24 (2). pp. 222-223.

Habermann, Ina. (2013) Review of Wes Williams, Monsters & their Meanings in Early Modern Culture: Mighty Magic, Oxford University Press 2011. Shakespeare-Jahrbuch, 149. pp. 280-281.

Habermann, Ina. (2013) Wann denkt Shakespeare an Ovid? In: Carmen Perpetuum. Ovids Metamorphosen in der Weltliteratur. Basel, pp. 149-163.

Habermann, Ina. (2012) Review of Merle Tönnies and Heike Buschmann (eds.), Spatial Representations of British Identities, Winter 2012. Anglia, 130 (4). pp. 589-592.

Habermann, Ina. (2012) Review of Sabine Mollenhauer, Die Repräsentation von Geschlechterrollen in W. Shakespeares Dramen, Winter 2011. Archiv für das Studium der neueren Sprachen und Literaturen, 164 (249). pp. 431-433.

Habermann, Ina. (2012) ‘I shall have share in this most happy wreck’ – Shakespeare’s Topology of Shipwrecking. Shakespeare-Jahrbuch, 148. pp. 55-72.

Hohl Trillini, Regula. (2012) Review of "Erin Minear: Reverberating Song in Shakespeare and Milton: Language, Memory, and Musical Representation". Renaissance Quarterly, 65 (4). pp. 1356-1357.

Habermann, Ina. (2011) Reaching Beyond Silence: Metaphors of Ineffability in English Poetry — Donne, Wordsworth, Keats, Eliot. In: Beyond Cognitive Metaphor Theory. Perspectives on Literary Metaphor. New York, pp. 77-93.

Habermann, Ina. (2011) Shakespeare’s Comedies: A Midsummer Night’s Dream and Twelfth Night. In: A History of British Drama: Genres, Developments, Interpretations. Trier, pp. 47-62.

Habermann, Ina and Kuhn, Nikolaus. (2011) Sustainable Fictions – Geographical, Literary and Cultural Intersections in J.R.R. Tolkien’s The Lord of the Rings. The Cartographic Journal, 48 (4). pp. 263-273.

Hoffmann, Claire. 'Ouvrir un livre capable d'inspirer'. Transformationen literarischer Einflüsse in Delacroix' Werk. 2011, Master Thesis, University of Basel, Faculty of Humanities and Social Sciences.

Habermann, Ina. (2010) Myth, memory and the middlebrow : Priestley, du Maurier and the symbolic form of Englishness. Basingstoke.

Habermann, Ina. (2010) Review John A. Lynn II, Women, Armies, and Warfare in Early Modern Europe, Ros King and Paul J.C.M. Franssen (eds.), Shakespeare and War, 2008. Shakespeare-Jahrbuch, 146. pp. 254-257.

Habermann, Ina. (2010) Review of "The Martin Marprelate Tracts. A Modernized and Annotated Edition" by Joseph L. Black (CUP 2008). Anglistik. International journal of English studies. pp. 187-188.

Habermann, Ina and Kern-Stähler, Annette. (2010) Introduction: Literature and Silence. In: Anglistentag 2009 Klagenfurt: Proceedings. Trier, pp. 377-381.

Habermann, Ina. (2009) "What Sounds are Those, Helvellyn?" : William Wordsworths geistige Landschaften. Colloquium Helveticum, 39(2008). pp. 41-60.

Habermann, Ina. (2009) Die Welt als Gutshof – von der Illusion, unpolitisch bleiben zu können. In: Wolfgang Clemen im Kontext seiner Zeit : ein Beitrag zur Wissenschaftsgeschichte vor und nach dem Zweiten Weltkrieg. Heidelberg, pp. 103-118.

Habermann, Ina. (2009) May Sinclair. In: Kindlers Literatur Lexikon. Stuttgart, p. 191.

Habermann, Ina. (2009) Review Laurie Maguire, Shakespeare’s Names, Oxford: Oxford University Press 2007. Shakespeare-Jahrbuch, 145. pp. 264-265.

Habermann, Ina. (2009) Review of "Upward Mobility and the Common Good, toward a Literary History of the Welfare State" by Bruce Robbins : Princeton: Princeton University Press, 2007. Zeitschrift für Anglistik und Amerikanistik, 57 (1). pp. 93-94.

Habermann, Ina. (2009) The life and death of harriet frean. In: Kindlers Literatur Lexikon. Stuttgart, pp. 191-192.

Habermann, Ina. (2009) [Review of] "Shakespeares Komödien. Spiele aus dem Reich der Freiheit" by Ekkehart Krippendorff : (Berlin: Kulturverlag Kadmos, 2007). Archiv für das Studium der neueren Sprachen und Literaturen, Vol. 246. pp. 179-181.

Habermann, Ina. (2009) [Review of] Dympna Callaghan, The Impact of Feminism on Renaissance Studies, Basingstoke (Palgrave Macmillan) 2006, XIV–346 S., ISBN 1-4039-9212-6, GBP 55,00. Francia Recensio : Forschungen zur westeuropäischen Geschichte, 2009, No. 1.

Habermann, Ina. (2009) [Rezension von] Beck, Rudolf, Kuester, Hildegard und Kuester, Martin: Basislexikon anglistische Literaturwissenschaft : München 2007. Anglia, 127 (3). pp. 533-536.

Habermann, Ina. (2007) England an Island: Englishness as a symbolic form in Jacquetta Hawkes's a Land (1951). In: Insular mentalities : mental maps of Britain : essays in honour of Bernd Lenz. Passau, pp. 89-102.

Habermann, Ina. (2007) Review Saskia Kossak, ″Frame My Face to All Occasions″ - Shakespeare’s Richard III on Screen, 2005; H.R. Coursen, Shakespeare Translated. Derivatives on Film and TV, 2005; Sarah Hatchuel, Shakespeare, from Stage to Screen, 2004. Shakespeare-Jahrbuch, 143. pp. 253-255.

Habermann, Ina. (2007) Review of "Feminism and Territoriality, a Bifocal Case Study of Literary Irelands" by Susanne Hagemann : Trier: wvt, 2005. Anglia, 125 (3). pp. 571-574.

Habermann, Ina. (2007) Review of "Rhetoric and Renaissance Culture" by Heinrich F. Plett : Berlin: de Gruyter, 2004. Anglia, 125 (2). pp. 367-370.

Habermann, Ina. (2007) [Rezension von] Forgone Nations - Constructions of National Identity in Elizabethan Historiography and Literature - Stanihurst, Spenser, Shakespeare by Florian Kläger : Trier, wvt 2006. Journal for the study of British cultures, Vol. 14, H. 2. pp. 178-179.

Habermann, Ina. (2006) British Cinema and "the People’s War". In: Medialised Britain. Passau, pp. 119-139.

Habermann, Ina. (2006) [Review of] Literaturwissenschaft in Theorie und Praxis. Eine anglistischamerikanistische Einführung. Ed. Ralf Schneider unter Mitwirkung von Christina Spittel / Hans-Werner Ludwig und Thomas Rommel: Studium Literaturwissenschaft. Arbeitstechniken und Neue Medien. Archiv für das Studium der neueren Sprachen und Literaturen, Vol. 243,. pp. 144-146.

Habermann, Ina and Feldmann, Doris. (2006) Theorising Cultural Difference and Transdifference - Editorial. Journal for the Study of British Cultures, 13 (2). pp. 99-104.

Habermann, Ina. (2005) Modifikationen des Modernismus – Medialität, Identität, Populärkultur. In: Kulturgeschichte der englischen Literatur : von der Renaissance bis zur Gegenwart. Tübingen, pp. 251-264.

Habermann, Ina. (2005) Review of "Theorien der Literatur, Grundlagen und Perspektiven" edited by Hans Vilmar Geppert and Hubert Zapf (Tübingen and Basel: Francke, 2003), "Theory Matters" by Vincent B. Leitch (New York, London: Routledge, 2003. Zeitschrift für Anglistik und Amerikanistik, 53 (4). pp. 411-413.

Habermann, Ina. (2005) Tennis mit Kanonenkugeln – Heinrich V und die Dynamik der Macht. In: König Heinrich V. Cadolzburg, pp. 387-411.

Habermann, Ina. (2005) [Rezension von] Angela McRobbie (2005), The Uses of Cultural Studies - a textbook : London et al., Sage 2005, 211 S., £ 18.99, ISBN 1-4129-845-0. Journal for the study of British cultures, Vol. 12, H. 2. pp. 175-176.

Habermann, Ina. (2004) Breathing Stones – Shakespeare and the Theatre of the Passions. Shakespeare-Jahrbuch, 140. pp. 1-18.

Habermann, Ina. (2004) Einleitung – Panel 5: Lehrinhalte und Qualifikationsprofile. In: Kulturwissenschaften in der Anglistik : eine Standortbestimmung; Dokumentation einer Tagung an der Universität Dortmund, 8. bis 10. April 2003. Dortmund, pp. 44-45.

Habermann, Ina. (2004) Review Ania Loomba, Shakespeare, Race and Colonialism, 2002 and Chantal Zabus, Tempests After Shakespeare, 2002. Shakespeare-Jahrbuch, 140. pp. 303-305.

Habermann, Ina. (2004) She has that in her belly will dry up your ink: Femininity as challenge in the equitable drama of John Webster. In: Literature, politics and law in Renaissance England. Basingstoke, pp. 100-122.

Habermann, Ina. (2004) Theatre and the Law: The Concept of Equity in John Webster's The White Devil. In: Realigning Renaissance Culture: Intrusion and Adjustment on the Renaissance Stage. Trier, pp. 137-148.

Habermann, Ina. (2004) [Rezension von] A Fast-Forward Version of England by Silvia Mergenthal : Heidelberg, Winter 2003. Journal for the study of British cultures, Vol. 11, H. 1. pp. 94-96.

Habermann, Ina. (2003) Review of "Plotting Women, Gender and Narration in the Eighteenth- and Nineteenth-Century British Novel" by Alison A. Case : Charlottesville: University Press of Virginia, 1999. Zeitschrift für Anglistik und Amerikanistik, 50 (4). pp. 529-530.

Habermann, Ina. (2003) Staging slander and gender in early modern England. Women and gender in the early modern world. Aldershot.

Habermann, Ina. (2003) The Archers’ Tale: Images of Britain in the Films of Michael Powell and Emeric Pressburger. In: Anglistentag 2002 Bayreuth: Proceedings. Trier, pp. 295-306.

Habermann, Ina. (2003) The Cultural Turn and Its Spindoctors. Anglistik. International journal of English studies, 14 (2). pp. 205-208. Heidelberg.

Habermann, Ina and Feldmann, Doris. (2003) Das Graduiertenkolleg Kulturhermeneutik im Zeichen von Differenz und Transdifferenz an der Friedrich-Alexander-Universität Erlangen-Nürnberg. Anglistik, Vol. 14, H. 2. pp. 105-112.

Habermann, Ina. (2002) Death by Water : the Theory and Practice of Shipwrecking. In: Fictions of the sea : critical perspectives on the ocean in British literature and culture. Aldershot, pp. 104-121.

Habermann, Ina. (2002) Elizabeth Bowen. In: Metzler Lexikon Gender Studies - Geschlechterforschung : Ansätze - Personen - Grundbegriffe. Stuttgart, pp. 56-57.

Habermann, Ina. (2002) Elizabeth Cary. In: Metzler-Lexikon englischsprachiger Autorinnen und Autoren. Stuttgart, pp. 104-105.

Habermann, Ina. (2002) May Sinclair. In: Metzler Lexikon Gender Studies - Geschlechterforschung : Ansätze - Personen - Grundbegriffe. Stuttgart, pp. 533-534.

Habermann, Ina. (2002) Shakespeare unlimited - News from the stock exchange. Review Christy Desmet und Robert Sawyer (ed.), Shakespeare and Appropriation, 1999; Daniel Fischlin/Mark Fortier (eds.), Adaptations of Shakespeare, 2000; Katharina Kettner, ‘Such Stuff as Films are Made on’: Shakespeare im Medienwechsel, 1999. Shakespeare-Jahrbuch, 138. pp. 242-245.

Habermann, Ina. (2002) [Rezension von] The Practice of Cultural Analysis - Exposing Inter-disciplinary Interpretation, edited by Mieke Bal : Stanford, Stanford University Press 1999. Journal for the study of British cultures, Vol. 9, H. 2. pp. 233-234.

Habermann, Ina and Feldmann, Doris. (2002) Cultural Feminism. In: Metzler Lexikon Gender Studies - Geschlechterforschung : Ansätze - Personen - Grundbegriffe. Stuttgart, pp. 54-55.

Habermann, Ina and Feldmann, Doris. (2002) Gendered Identity. In: Metzler Lexikon Gender Studies - Geschlechterforschung : Ansätze - Personen - Grundbegriffe. Stuttgart, pp. 145-146.

Habermann, Ina and Feldmann, Doris. (2002) Geschlechterrolle. In: Metzler Lexikon Gender Studies - Geschlechterforschung : Ansätze - Personen - Grundbegriffe. Stuttgart, pp. 158-159.

Habermann, Ina and Feldmann, Doris. (2002) Women's Cultural Criticism. In: Metzler Lexikon Gender Studies - Geschlechterforschung : Ansätze - Personen - Grundbegriffe. Stuttgart, pp. 407-408.

Habermann, Ina and Schabert, Ina. (2002) Einleitung. In: Imaginationen des Anderen im 16. und 17. Jahrhundert. Wiesbaden, pp. 7-24.

Habermann, Ina. (2001) On the pain of not being English. In: Common ground? : crossovers between cultural studies and postcolonial studies. Trier, pp. 137-151.

Habermann, Ina. (2001) Review of "Lebenstexte, Literarische Selbststilisierungen englischer Frauen in der frühen Neuzeit" by Gabriele Rippl : München: Wilhelm Fink Verlag, 1998. Zeitschrift für Anglistik und Amerikanistik, 49 (2). pp. 185-186.

Habermann, Ina. (2000) Two, by their bloods, and by thy Spirit one: Sir Philip Sidney and Mary Sidney Herbert, Countess of Pembroke. In: Bi-Textualität : Inszenierungen des Paares : ein Buch für Ina Schabert. Berlin, pp. 29-44.

Habermann, Ina and Feldmann, Doris. (2000) Review of "A Revolution in Sentiments, Manners, and Moral Opinions, Catharine Macaulay und die politische Kultur des englischen Radikalismus, 1760-1790" by Vera Nünning : Heidelberg: Universitätsverlag C. Winter, 1998. Zeitschrift für Anglistik und Amerikanistik, 48 (1). pp. 80-82.

Habermann, Ina and Klein, Bernhard. (2000) Shakespeare: Die Historien. In: Shakespeare-Handbuch : die Zeit, der Mensch, das Werk, die Nachwelt. Stuttgart, pp. 324-380.

Habermann, Ina. (1999) Imagining Otherness in the 16th and 17th Centuries: A Conference Report. Journal for the Study of British Cultures, 6 (1). pp. 95-96. Würzburg.

Habermann, Ina. (1999) Review of "The Culture of Slander in Early Modern England" by Lindsay M. Kaplan : Cambridge : Cambridge University Press, 1997. Anglia, 117 (4). pp. 597-600.

Habermann, Ina. (1999) The Taming of the Masculine Scold : Misconstrued Femininities in Swetnam, the Woman-hater. In: Differenzen in der Geschlechterdifferenz : aktuelle Perspektiven der Geschlechterforschung = Differences within gender studies. Berlin, pp. 222-240.

Habermann, Ina. (1998) Review Von lustigen Weibern und gehörnten Männern – Neues aus der Gender-Forschung (Helen Wilcox (ed.), Women and Literature in Early Modern Britain, 1996; Mark Breitenberg, Anxious Masculinity, 1996; Rosemary Kegl, The Rhetoric of Concealment, 1994; Laura Gowing, Domestic Dangers, 1996). Shakespeare-Jahrbuch, 134. pp. 277-282.

K

Keller, Daniela. (2017) Rev. of British Nuclear Culture: Official and Unofficial Narratives in the Long 20th Century (2016), by Jonathan Hogg. Journal for the study of British cultures, 24 (1). pp. 91-94.

Keller, Daniela. (2014) Rev. of Travelling Goods, Travelling Moods. Varieties of Cultural Appropriation (1850-1950), ed. Christian Huck and Stefan Bauernschmidt. Journal for the study of British cultures, Vol. 21, H. 1. pp. 106-109.

L

Lüthi, Daniel. (2017) Jenseits der Todorov’schen Grenze: Versuch eines Brückenschlags zwischen zeitgenössischer Fantastik und Fantasy anhand von Michel Mettlers Roman Die Spange (2006). In: Funktionen der Fantastik. Neue Formen des Weltbezugs von Literatur und Film nach 1945. Heidelberg, pp. 155-171.

Lüthi, Daniel. (2016) Romance of the Grail: The Magic and Mystery of Arthurian Myth. Mythlore, 35 (1). pp. 152-154.

Lüthi, Daniel. (2014) Toying With Fantasy: The Postmodern Playground of Terry Pratchett’s Discworld Novels. Mythlore, 33 (1). pp. 125-142.

M

Mathys, David. "What World ls This?": Constructions of Space and Place in Shakespeare's Pericles, Antony and Cleopatra and Twelfth Night. 2020, Master Thesis, University of Basel, Faculty of Humanities and Social Sciences.

Mondia, Michele. Chasing the Green Light: (Self-)deception and disillusionment in F.Scott Fitzgerald's novels. 2018, Master Thesis, University of Basel, Faculty of Humanities and Social Sciences.

Marti, Markus. (2012) Objective reviews? No, thanks! Cahiers Elisabethains, 2012. pp. 27-30.

Marti, Markus. (2012) Shakespeare als Unterhaltungsautor - Shakespeare-Aufführungen auf Schweizer Bühnen. Shakespeare-Jahrbuch, Vol. 148. pp. 199-206.

Marti, Markus. (2011) Eindampfen, destillieren, entschlacken - oder lieber nicht? Richard III in Basel, Was ihr Wollt und Volpone in Zürich. Shakespeare-Jahrbuch, Vol. 147. pp. 208-213.

Marti, Markus. (2010) Liebeswirren - mal leicht, mal schwer : Shakespeare auf Schweizer Alternativbühnen. Shakespeare-Jahrbuch, Bd. 146. pp. 212-217.

Marti, Markus. (2010) Not needed, but nice to have: Shakespeare's Sonnets in Swiss German (Schwyzerdütsch). In: William Shakespeare's sonnets for the first time globally reprinted : a quatercentenary anthology. Dozwil, pp. 667-675.

Marti, Markus. (2010) William Shakespeare's Sonnets = William Shakespeares Sonette = Dum Willjam Scheikspiir schiini Sonetti. Dozwil.

Marti, Markus. (2009) Auf dem Laufsteg, an der Warenbörse, im Atomkraftwerk - erprobt die Schweiz neue Spielwelten. Shakespeare-Jahrbuch, Bd. 145. pp. 217-225.

Marti, Markus. (2009) SH:in:E - Shakespeare in Europe.

Marti, Markus. (2009) [Rezension von:] Susanne Kaul. Poetik der Gerechtigkeit: Shakespeare - Kleist. Anglistik, Vol. 20. pp. 220-221.

Marti, Markus. (2008) Titus Andronicus : englisch-deutsche Studienausgabe. Englisch-deutsche Studienausgabe der Dramen Shakespeares. Tübingen.

Marti, Markus and Gomringer, Eugen. (2008) Eines Sommers Sonette = A summer's sonnets. Dozwil.

Marti, Markus. (2004) William Collins: "The passions (an ode for music)". Harass, Vol. 19. pp. 109-119.

Marti, Markus. (2003) Sonett Nr. 18. In: - lesen, wie krass schön du bist konkret : William Shakespeare, Sonett 18 vermittelt durch deutsche Übersetzer in 154 + 1 Versionen. Dozwil, 124; 153.

Marti, Markus. (1996) William Shakespeare : Sonett Nr. 66. In: Shakespeare : sechsundsechzig Variationen über ein Sonett. Göttingen, p. 242.

Marti, Markus. (1995) Timon of Athens = Timon von Athen. Englisch-deutsche Studienausgabe der Dramen Shakespeares. Tübingen : Basel.

S

Strobel, Anne-Christine. Öffentliche Kunstförderungspraxis in der Schweiz des 19. Jahrhunderts. 2011, Master Thesis, University of Basel, Faculty of Humanities and Social Sciences.

W

Witen, Michelle. (2018) An Evening of Absolute Joyce. Bloomsbury Literary Studies Blog.

Witen, Michelle. (2018) James Joyce and Absolute Music. Historicizing Modernism. London.

Witen, Michelle. (2017) From Passion to Mania: "Frankenstein" as a Tale of Hysteria. In: Nightfall: The Gothic Imagination since Frankenstein. Los Angeles, Geneva, pp. 372-383.

Witen, Michelle. (2016) 'A Musical Pattern of Sound': Absolute Music and Four Quartets. In: The Edinburgh Companion to T. S. Eliot and the Arts. Edinburgh, pp. 179-188.

Witen, Michelle. (2014) Review of "The Great American Songbooks: Musical Texts, Modernism & The Value of Popular Culture" by T. Austin Graham. Time Present: The Newsletter of the T. S. Eliot Society, 84. p. 8.

This list was generated on Wed Oct 27 03:50:53 2021 CEST.