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Items where Division is "04 Faculty of Humanities and Social Sciences > Departement Sprach- und Literaturwissenschaften > Fachbereich Englische Sprach- und Literaturwissenschaft > Amerikanistik (Schweighauser)"

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Number of items at this level: 135.

A

Askin, Ridvan. (2019) Editor's Introduction. In: New Directions in Philosophy and Literature. Edinburgh, pp. 99-101.

Askin, Ridvan. (2019) Editor's Introduction. In: New Directions in Philosophy and Literature. Edinburgh, pp. 175-178.

Askin, Ridvan. (2019) Emerson's Speculative Pragmatism. In: New Directions in Philosophy and Literature. Ediburgh, pp. 234-252.

Askin, Ridvan. (2018) Emersons politisches Denken und die Dichtung. In: Literatur und politische Philosophie: Subjektivität, Fremdheit, Demokratie. Paderborn, pp. 101-122.

Askin, Ridvan and Avanessian, Armen. (2018) Vorwort: Zum Werk Steven Shaviros. In: Die Pinocchio Theorie, 417 . Leipzig, pp. 7-12.

Askin, Ridvan and Diederich, Catherine and Bieri, Aline. (2018) Introduction: Aesthetics, Poetics, Rhetoric, Soccer. In: The Aesthetics, Poetics, and Rhetoric of Soccer. London, pp. 13-24.

Askin, Ridvan. (2017) Objects. In: The Cambridge Companion to Literature and the Posthuman. Cambridge, pp. 170-181.

Askin, Ridvan. (2016) Narrative and Becoming. Plateaus - New Directions in Deleuze Studies. Edinburgh.

Askin, Ridvan. (2015) Prolegomenon to a Differential Theory of Narrative. SubStance, 44 (3). pp. 155-170.

Askin, Ridvan. (2014) Sweet dreams are made of this: speculation. In: Weaponising speculation. Brooklyn, pp. 61-68.

Askin, Ridvan and Hägler, Andreas and Schweighauser, Philipp. (2014) Introduction: Aesthetics after the Speculative Turn. Speculations (5). pp. 6-38.

Askin, Ridvan. (2013) Aesthetics in the 21st century. Dichtung-digital, 01.01.2013.

Askin, Ridvan. (2013) Fantastic aesthetics: a report on the international conference "Aesthetics in the 21st century". Dichtung-digital, 01.01.2013.

Askin, Ridvan. (2013) Grand dehors? : ein Gespräch mit dem Amerikanisten Ridvan Askin über Spekulativen Realismus und objektorientierte Philosophie. Springerin : Hefte für Gegenwartskunst, Bd. 19, H. 1. pp. 26-31.

Askin, Ridvan. (2012) Difference and Identity in Richard Powers' The Echo Maker: A Deleuzian Reading. In: Ideas of Order: Narrative Patterns in the Novels of Richard Powers. Heidelberg, pp. 217-238.

Askin, Ridvan. (2012) Folding, Unfolding, Refolding : Mark Z. Danielewski's Differential Novel House of Leaves. In: Revolutionary leaves : the fiction of Mark Z. Danielewski. Cambridge, pp. 99-121.

Askin, Ridvan. (2010) Mneme, Anamnesis and Mimesis: The Function of Narrative in Paul Ricoeur's Theory of Memory. In: Remembering and forgetting: memory in images and texts. Bielefeld, pp. 31-46.

Askin, Ridvan. (2009) Ai - das lyrische Werk. In: Kindlers Literatur Lexikon, Vol 1. Stuttgart, p. 144.

Askin, Ridvan. (2009) Kim Addonizio - das lyrische Werk. In: Kindlers Literatur Lexikon, Vol. 1. Stuttgart, p. 88.

Askin, Ridvan. (2009) Mneme, anamnesis and mimesis : the function of narrative in Paul Ricoeur's theory of memory. Forum for Inter-American Research (FIAR), Vol. 2, H. 1.

Askin, Ridvan. (2009) Rudolph Wurlitzer - Nog. In: Kindlers Literatur Lexikon, Vol. 17. Stuttgart, p. 596.

Askin, Ridvan. (2009) Victor Hernandez Cruz - das lyrische Werk. In: Kindlers Literatur Lexikon, Vol. 4. Stuttgart, pp. 289-290.

B

Bieri, Tina. Broadening Afropolitanism: 'Afropolitanism at the Margins' in Selasi's "Ghana Must Go", Bulawayo's "We Need New Names" and Adichie's "Americanah". 2018, Master Thesis, University of Basel, Faculty of Humanities and Social Sciences.

C

Cadalbert, Livia. Fortified Morally by the Luxurious Surroundings': The Interrelation Between Individualist and Consumerist E(s)th(et)ics in Patricia Highsmith's Ripliad. 2018, Master Thesis, University of Basel, Faculty of Humanities and Social Sciences.

Chakkalakal, Silvy. (2018) "The World That Could Be": Gender, Bildung, Zukunft und das Projekt einer Anticipatory Anthropology. Zeitschrift für Volkskunde, 114 (1). pp. 3-28.

Chakkalakal, Silvy. (2018) Ethnographic Art Worlds: The Creative Figuration of Art and Anthropology. Amerikastudien, 63 (4). pp. 489-515.

Caci, Ursula. (2014) Interchangeability and Mutuality: The Relativity of Power in Dickinson's Gendered Relationships. The Emily Dickinson Journal, 23 (69-91). p. 2.

Caci Haag, Ursula. (2014) Der Affekt als Effekt in Emily Dickinsons Briefen an den Master. In: Affekt und Geschlecht. eine einführende Anthologie. Wien, pp. 447-470.

H

Hänggi, Christian. (2020) Glänzende Werbewelten: Enteignung mit behördlichem Segen. Widerspruch, 39 (75). pp. 29-36.

Hänggi, Christian. (2020) Pynchon's Sound of Music. Zürich.

Hänggi, Christian. (2019) South Park: Trump, technology, and the uncanny. In: Make America Hate Again: Trump-Era Horror and the Politics of Fear. London and New York, pp. 141-151.

Halili, Fatljume. Fighting for Whale/Oil: A call for Environmental Justice. A Literary Analysis of Three Native American Novels by Linda K. Hogan. 2019, Master Thesis, University of Basel, Faculty of Humanities and Social Sciences.

Hänggi, Christian. (2019) Haymarket Bombing. In: Conspiracies and Conspiracy Theories in American History, 1. Santa Barbara CA, pp. 294-297.

Hänggi, Christian. (2018) The Pynchon Playlist: A Catalog and Its Analysis. Orbit: A Journal of American Literature, 6 (1). pp. 1-35.

Hänggi, Christian. (2017) Pynchon on Record, Vol. 4.

Hänggi, Christian. Pynchon's sonic fiction. 2017, Doctoral Thesis, University of Basel, Faculty of Humanities and Social Sciences.

Hänggi, Christian. (20 November 2015) Das Wesentliche ist für die Augen unsichtbar. Magazin Greenpeace. Hamburg.

Hänggi, Christian. (21 April 2015) Die Märchen der Werbeindustrie. Magazin Greenpeace, 2 (1611-3462). pp. 50-55. Hamburg.

Hänggi, Christian. (2015) 'Harmonica, kazoo -- a friend.' Pynchon’s Lessons in Organology. In: America and the Musical Unconscious. New York, pp. 289-327.

Hänggi, Christian. (2013) Lebenslauf. In: Bologna-Bestiarium. Zürich, pp. 185-189.

Hänggi, Christian. (2013) Werbung - ist ein werbefreier öffentlicher Raum Utopie? In: Greenpeace-Handbuch. Ratschläge und Einblicke für ein grüneres Leben. Zürich, pp. 493-495.

Hänggi, Christian. (2010) Aporien der Gastfreundschaft: Philosophische Überlegungen zur Besetzung der Universität. In: Was passiert? Stellungnahmen zur Lage der Universität. Zürich, pp. 339-346.

Hänggi, Christian. (2009) Gastfreundschaft im Zeitalter der medialen Repräsentation. eine Ökonomie des Geistes. Passagen Philosophie. Wien.

Hänggi, Christian. (2009) Hospitality in the Age of Media Representation. Think Media: EGS Media Philosophy Series. New York.

L

Löw, Lesley. "V konce koncov kosmos ne tak už i velik" – The Construction of the Self and the Other in Soviet and American Children’s Science Fiction of the Cold War. 2020, Master Thesis, University of Basel, Faculty of Humanities and Social Sciences.

Licina, Jasmina. Unheard Voices - Female Traumas and Ways of Healing in Transitional South Africa. The Representation of Female Trauma Manifestations as an Underlying Critique of the TRC. A Literary Analysis of Three Post-Apartheid Novels. 2018, Master Thesis, University of Basel, Faculty of Humanities and Social Sciences.

M

Martin, Carole. "Without Borders, Without a Home of Her Own, a Resident Everywhere and Nowhere": South Asian American Transnationalisms and Diasporas in Jhumpa Lahiri's Oeuvre. 2019, Master Thesis, University of Basel, Faculty of Humanities and Social Sciences.

Marxer, Raphael. The Great God Job, he did not love': Work-Ethics in American Working-Class Literature. 2019, Master Thesis, University of Basel, Faculty of Humanities and Social Sciences.

McLaren, Hannah. "Oil and Water Don't Mix": The Petrospectacle and Petro(in)visibility in Global Petrofiction. 2019, Master Thesis, University of Basel, Faculty of Humanities and Social Sciences.

Mondia, Michele. Chasing the Green Light: (Self-)deception and disillusionment in F.Scott Fitzgerald's novels. 2018, Master Thesis, University of Basel, Faculty of Humanities and Social Sciences.

Mauruschat, Ania. (2016) "QuellCodes“. Räume, Quellen und Formatierung aktueller Rundfunkgeschichtsforschung. H-Soz-Kult. Online.

Mauruschat, Ania. (2016) An die, die dies hören: Ein Hinweis auf den Ohr-Mundverbund, den Ohr- Ohrverbund, den Ohr-Hirnverbund. In: Grosse Sätze machen. Über Bazon Brock. Paderborn, pp. 85-94.

Mauruschat, Ania. (2016) [Rezension von] Solveig Ottmann: Im Anfang war das Experiment. Das Weimarer Radio bei Hans Flesch und Ernst Schoen, Berlin (Kadmos) 2013. Zeitschrift für Medienwissenschaft. online.

Mauruschat, Ania. (2015) Von Aliens, UFOs und Erdlingen. Zur Kulturgeschichte der Außerirdischen.

Mauruschat, Ania. (2014) Noise, Soundplay, Extended Radio. A case study of Bugs & Beats & Beasts by Andreas Ammer and Console as an example of German Hörspiel as a radiophonic art from. In: Radio: The Resilient Medium - Papers from the Third Conference of the ECREA Radio Research Section. Sunderland.

Mauruschat, Ania. (2014) Ruído, peça sonora, rádio extendido: um estudo de caso de bugs & beats & beasts por Andreas Ammer e console, um exemplo de resiliência do Hörspiel alemão como forma de arte radiofônica. Polêm!ca , 13 (2). Online.

Mauruschat, Ania and Wimmer, Jeffrey. (2011) Indymedia - A people's CNN. In: Und jetzt? Politik, Protest und Propaganda. Frankfurt am Main, pp. 312-322.

Mauruschat, Ania. (2009) Essay: Von der Radiotheorie zum Web 2.0? Dreigroschenheft. Informationen zu Bertold Brecht (3). pp. 21-25.

N

Nanchen, Magalie. "And yet the writing is of interest":Translation and Analysis on Arthur Conan Doyle's "The Naval Treaty". 2019, Master Thesis, University of Basel, Faculty of Humanities and Social Sciences.

Nabholz, Ann-Catherine. The crisis of modernity : culture, nature, and the modernist yearning for authenticity. 2004, Doctoral Thesis, University of Basel, Faculty of Humanities and Social Sciences.

O

Osei-Bonsu, Victoria Amma Agyeiwaah. Representations of the other in selected works of Joseph Conrad. 2018, Doctoral Thesis, University of Basel, Faculty of Humanities and Social Sciences.

R

Rapcsak, Balazs. (2020) Beckett the Spiritist: Breath and its Media Drama. Samuel Beckett Today / Aujourd'hui, 32 (1). pp. 55-70.

Rudrum, David and Askin, Ridvan and Beckman, Frida. (2019) Editors' Preface. In: New Directions in Philosophy and Literature. Edinburgh, ix-x.

Rapcsák, Balázs. (2017) Switching Attention: Technologies of Awareness in Beckett's Krapp's Last Tape. In: The Arts of Attention. Budapest, pp. 457-468.

Reichel, A. Elisabeth. (2017) Ekphrasis. In: Handbuch Literatur & Musik. Berlin, pp. 591-592.

Reichel, A. Elisabeth. (2017) Intermedialität. In: Handbuch Literatur & Musik. Berlin, p. 597.

Reichel, A. Elisabeth. (2017) Musical Macrostructures in The Gold Bug Variations and Orfeo by Richard Powers; or, Toward a Media-Conscious Audionarratology. Partial Answers, 15 (1). pp. 81-98.

Reichel, A. Elisabeth. (2017) Sound/Sound Studies. In: Handbuch Literatur & Musik. Berlin, pp. 612-613.

Reichel, Elisabeth A. and Schweighauser, Philipp. (2017) Folk Communities in Translation: Salvage Primitivism and Edward Sapir’s French-Canadian Folk Songs. In: American Communities: Between the Popular and the Political. Tübingen, pp. 61-83.

Reichel, A. Elisabeth. (2016) Vijay Seshadri. In: Kindlers Literatur Lexikon online. Stuttgart.

Reichel, A. Elisabeth. (2016) Vijay Seshadri: 3 Sections. In: Kindlers Literatur Lexikon online. Stuttgart.

Reichel, A. Elisabeth. (2015) Sonophilia / Sonophobia: Sonic Others in the Poetry of Edward Sapir. In: Literature, Ethics, Morality: American Studies Perspectives. Tübingen, pp. 215-229.

Rippl, Gabriele. (2015) Introduction. In: Handbook of intermediality. literature - image - sound - music. Berlin, pp. 1-31.

Reichel, A. Elisabeth. (2014) Fictionalising music / musicalising fiction: the integrative function of music in Richard Powers' The Time of Our Singing. SoundEffects, 4 (1). pp. 144-160.

Rippl, Gabriele and Steffen, Therese and Schweighauser, Philipp. (2013) Introduction: Life Writing in an Age of Trauma. In: Haunted Narratives: Life Writing in an Age of Trauma. Toronto, pp. 3-18.

Rapcsak, Balazs. (2010) Fodor Péter: Térfélcsere. A sport irodalmi medialitása a magyar későmodern és posztmodern elbeszélő prózában. Irodalomtörténet, 91 (4). pp. 561-565.

S

Sabbioni, Sofie. "The flag is a jealous mistress": Masculinity, Empire, Nation, and their Entanglement in Richard Harding Davis’ Central American and Pëtr Nikolaevič Krasnov’s Manchurian Fiction at the Turn of the Century. 2020, Master Thesis, University of Basel, Faculty of Humanities and Social Sciences.

Schweighauser, Philipp. (2019) Of Syncretisms, Foils, and Cautionary Examples: Ruth Fulton Benedict's Poetic and Ethnographic Styles. In: Revisiting Style in Literary and Cultural Studies. Berlin, pp. 193-205.

Schweighauser, Philipp. (2019) [Rev. of:] American Literary History and the Turn toward Modernity, ed. by Melanie V. Dawson and Meredith L. Goldsmith. Anglia, 137 (4). pp. 703-707.

Schweighauser, Philipp. (2019) [Review of:] Acoustic Entanglements: Sound and Aesthetic Practice by Sabine Kim. Anglia, 137 (1). pp. 194-197.

Schweighauser, Philipp. (2018) 'Gut': Becketts Verhandlungen von Macht in seinen Fernsehspielen für den Süddeutschen Rundfunk. In: Literatur und Politische Philosophie: Subjektivität, Fremdheit, Demokratie. Paderborn, pp. 169-195.

Schweighauser, Philipp. (2018) Faire du neuf, autrement: la poésie de Margaret Mead. Fabula LHT, 21.

Schweighauser, Philipp. (2018) Sinclair Lewis and the Decline of 'Liberalism': Reading It Can't Happen Here in the Age of Trump. Hermeneutische Blätter, 24 (1). pp. 118-131.

Schweighauser, Philipp. (2018) Text als Paradigma der Kulturwissenschaft. In: Grundthemen der Literaturwissenschaft: Poetik und Poetizität. Tübingen, pp. 445-459.

Schweighauser, Philipp. (2018) Ways of Knowing: The Aesthetics of Boasian Poetry. Amerikastudien, 63 (4). pp. 541-556.

Schweighauser, Philipp and Festl, Michael G.. (2018) Einleitung: Die erste Schwalbe. In: Literatur und Politische Philosophie: Subjektivität, Fremdheit, Demokratie. Paderborn, pp. 9-17.

Schweighauser, Philipp and Rippl, Gabriele and Reichel, A. Elisabeth and Chakkalakal, Silvy. (2018) Boasian Aesthetics: American Poetry, Visual Culture, and Cultural Anthropology. Amerikastudien, 63 (4). pp. 431-440.

Schweighauser, Philipp. (2017) Das Rauschen modernistischer Form: John Dos Passos, Zora Neale Hurston und die Soundscapes der Moderne und frühen Postmoderne. In: Handbuch Literatur & Musik. Tübingen, pp. 495-507.

Schweighauser, Philipp. (2017) How Do We Read Literature in the Digital Age? Basel.

Schweighauser, Philipp. (2017) Playing Seriously with Genres: Sapir's 'Nootka' Texts and Mead's Balinese Anthropology. RANAM: Recherches anglaises et nord-américaines, 50. pp. 107-121.

Schweighauser, Philipp. (2016) Beautiful Deceptions. European Aesthetics, the Early American Novel, and Illusionist Art. Charlottesville.

Schweighauser, Philipp. (2016) Some Reflections on the Place of Aesthetics and Politics in American Studies. RANAM: Recherches anglaises et nord-américaines, 49. pp. 43-53.

Schweighauser, Philipp. (2016) The Early American Novel and Sentimentalism. In: Handbook of Transatlantic North American Studies. Tübingen, pp. 213-233.

Schweighauser, Philipp. (2015) Literary Acoustics. In: Handbook of Intermediality: Literature – Image – Sound – Music. Tübingen, pp. 475-493.

Schweighauser, Philipp and Askin, Ridvan. (2015) Introduction. In: Literature, Ethics, Morality: American Studies Perspectives. Tübingen, pp. 11-22.

Schweighauser, Philipp. (2014) Relations between media. In: The Johns Hopkins guide to digital media. Baltimore, pp. 424-427.

Schweighauser, Philipp. (2014) The persistence of information theory. In: Traditions of systems theory : major figures and contemporary developments. New York, pp. 21-44.

Schweighauser, Philipp. (2014) [Review of] Empowering Words: Outsiders and Authorship in Early America (2013) by Karen A. Weyler. Amerikastudien, 59 (3). pp. 447-450.

Schweighauser, Philipp. (2014) [Review of] Truth's Ragged Edge: The Rise of the American Novel (2013) by Philip F. Gura. Amerikastudien, 59 (2). pp. 273-275.

Schweighauser, Philipp and Regenscheit, Marion and Schmid, Jelscha. (2014) Vom Close Reading zum Social Reading : Lesetechniken im Zeitalter des digitalen Texts. Dichtung-digital, No. 44, 29.12.2014.

Schweighauser, Philipp. (2013) Early American Studies Now: A Polemic from Literary Studies. Amerikastudien, 58 (3). pp. 465-487.

Schweighauser, Philipp. (2013) Early American Studies Now: A Response to the Respondents. Amerikastudien, 58 (3). pp. 500-505.

Schweighauser, Philipp. (2013) Sympathy Control: Sentimental Politics and Early European Aesthetics. Anglia, 131 (1). pp. 35-51.

Schweighauser, Philipp. (2013) Trauma and Utopia: Benjamin, Adorno, and Elie Wiesel's Night. In: Haunted Narratives: Life Writing in an Age of Trauma. Toronto, pp. 45-84.

Schweighauser, Philipp. (2013) [Review of] Liberty of the Imagination: Aesthetic Theory, Literary Form, and Politics in the Early United States (2012) by Edward Cahill. Amerikastudien, 58 (2). pp. 305-308.

Schweighauser, Philipp. (14 January 2012) Der Narzisst, der keine Narzisse sein durfte. Rev. of J. Edgar, by Clint Eastwood. Basler Zeitung. pp. 43-44.

Schweighauser, Philipp. (2012) Book and Wax: Two Early American Media of Deception. Philologie im Netz. Beihefte, 5. pp. 4-44.

Schweighauser, Philipp. (2011) Terror has exterminated all the sentiments of nature: American terror, the French Revolution, and Charles Brockden Brown's Arthur Mervyn. In: Terrorism and narrative practice. Zürich, pp. 45-60.

Schweighauser, Philipp. (2010) Information theory. In: The Routledge companion to literature and science. London, pp. 145-156.

Schweighauser, Philipp and Schneck, Peter. (2010) Introduction : the American and the European DeLillo. In: Terrorism, media, and the ethics of fiction : transatlantic perspectives on Don DeLillo. New York, pp. 1-15.

Schweighauser, Philipp and Wisnicki, Adrian S.. (2010) The End of Resolution? Reflections on the Ethics of Closure in Don DeLillo's Detective Plots. In: Terrorism, media, and the ethics of fiction : transatlantic perspectives on Don DeLillo. New York, pp. 158-170.

Schweighauser, Philipp. (2009) Don DeLillo, 'Falling Man'. In: Kindlers Literatur Lexikon. Stuttgart, pp. 485-486.

Schweighauser, Philipp. (2009) Don DeLillo, 'Libra'. In: Kindlers Literatur Lexikon. Stuttgart, pp. 482-483.

Schweighauser, Philipp. (2009) Doubly real: game studies and literary anthropology; or, why we play games. Eludamos : journal for computer game culture, 3 (2). pp. 115-132.

Schweighauser, Philipp. (2008) The noises of modernist form: Dos passos, hurston, and the soundscapes of modernity. In: American studies as media studies. Heidelberg, pp. 47-55.

Schweighauser, Philipp. (2007) Alltäglicher Wahnsinn: Don DeLillo, Zeuge der postmodernen Paranoia. Baz Kultur Magazin. p. 9.

Schweighauser, Philipp. (2007) Literature in Transition : European aesthetics and the early American novel. In: American aesthetics. Tübingen, pp. 29-45.

Schweighauser, Philipp. (2007) Resources for the study of nineteenth-century American poetry : a selective guide. In: Teaching nineteenth-century American poetry. New York, pp. 315-351.

Schweighauser, Philipp. (2007) Who's Afraid of Dystopia? William Gibson's Neuromancer and Fredric Jameson's Writing on Utopia and Science Fiction. In: Exploring the utopian impulse : essays on utopian thought and practice. Oxford, pp. 225-242.

Schweighauser, Philipp. (2007) [Review of] Archaeologies of the Future: The Desire Called Utopia and Other Science Fictions (2005) by Fredric Jameson. Amerikastudien, 52 (4). pp. 586-588.

Schweighauser, Philipp. (2006) An Anthropologist at Work: Ruth Benedict's Poetry. In: American poetry : Whitman to the present. Tübingen, pp. 113-125.

Schweighauser, Philipp. (2006) Introduction. In: The noises of American literature, 1890-1985 : toward a history of literary acoustics. Gainesville, pp. 1-26.

Schweighauser, Philipp. (2006) The noises of American literature, 1890-1985 : toward a history of literary acoustics. Gainesville.

Schweighauser, Philipp. (2006) White Noise and the Web. In: Approaches to Teaching DeLillo's White Noise. New York, pp. 94-102.

Schweighauser, Philipp. (2005) The Desire for Unity and Its Failure: Reading Henry Adams through Michel Serres. In: Mapping Michel Serres. Ann Arbor, pp. 136-152.

Schweighauser, Philipp. (2004) Rauschende Kommunikationen und Kanalreiniger : Repräsentationen des Widerläufigen bei Howells, Toomer und Pynchon. In: Integrationen des Widerläufigen. Münster, pp. 59-68.

Schweighauser, Philipp. (2004) Toward a history of literary acoustics : the noises of American literature, 1860-1980. In: English and American Studies in German 2003. Tübingen, pp. 144-146.

Schweighauser, Philipp. (2003) 'Sound all around' : sonic mysticism and acoustic ecology in Don DeLillo's White Noise. Profils américains, 16. pp. 107-121.

Schweighauser, Philipp. (2002) 'You Must Make Less Noise in Here, Mister Schouler': Acoustic Profiling in American Realism. Studies in American fiction, 30 (1). pp. 85-102.

Schweighauser, Philipp. (2002) Concepts of masculinity in 'The Wife's Lament' and its critical literature. In: Masculinities - Maskulinitäten. Stuttgart, pp. 177-185.

Schweighauser, Philipp. (2002) The Soundscapes of American Realist Fiction. Philologie im Netz, 19. pp. 55-78.

Schweighauser, Philipp. (2000) 'Love at First Sight, at Last Sight, at Ever and Ever Sight': Scrutinizing Lolita's Body. Zeitschrift für Anglistik und Amerikanistik, 48 (2). pp. 158-167.

Schweighauser, Philipp. (1999) Discursive Killings: Intertextuality, Aestheticization, and Death in Nabokov's Lolita. Amerikastudien, 44 (2). pp. 255-267.

Schweighauser, Philipp. (1998) Metafiction, Transcendence and Death in Nabokov's Lolita. Nabokov studies, 5. pp. 99-116.

V

Vögele, Pius Jonas. Imaginations Are Star Gates: Yugen Blakrok's Afrofuturistic Sonic Fictions. 2019, Master Thesis, University of Basel, Faculty of Humanities and Social Sciences.

This list was generated on Wed Apr 14 04:05:53 2021 CEST.