Items where Author is "Förster, Till"
Number of items: 94. 2021Förster, Till. (2021) Alternativen zur Restitution? Lokale Perspektiven auf ein globales Problem. In: Geschichtskultur durch Restitution? Ein Kunst-Historikerstreit. Köln, pp. 163-180. 1 December 2020Förster, Till. (2020) Existential Transformations: Life in the West African savannah since the 1970s: An outlook. Basel Papers on Political Transformations, 22. 2020Förster, Till. (2020) Soziale Bilderwelten. Alltägliche Smartphone-Fotografie in der Côte d'Ivoire. iz3w (376). pp. 24-25. 22 November 2019Förster, Till and Jenni, Franziska and Siegenthaler, Fiona and Unseld, Frederik. (2019) Aesthetics of Articulation. Basel Papers on Political Transformations, 18/19. November 2019Förster, Till and Jenni, Franziska and Siegenthaler, Fiona and Unseld, Frederik. (2019) Aesthetics of Articulation. Basel Papers on Transformation (18/19). Basel. 2019Förster, Till. (2019) Europe Far and Close: African Migrants and the Imagination of Europe. In: Competing Perspectives: Figures of Image Control. Paderborn, pp. 315-337. Förster, Till and Sanogo, Aïdas. (2019) Guest Editors' Introduction to the Power of Performance -the Performance of Power Forum. African Studies Review, 62 (1). pp. 67-75. Förster, Till. (2019) Masked Politics: The Aesthetics of Political Articulation in Korhogo, Côte d'Ivoire. In: Aesthetics of Articulation, 18/19. Basel, pp. 59-88. Förster, Till. (2019) The Invisible Social Body: Experience and Poro Ritual in Northern Côte d'Ivoire. African Studies Review, 62 (1). pp. 99-119. 2018Förster, Till. (2018) "Dinge der Nacht". in Poro-Ritual, über das niemand spricht. In: Das Geheimnis. Wer was wissen darf.. Berlin, pp. 136-145. Förster, Till. (2018) "Things of the Night". A Poro-Ritual Nobody Talks about. In: Secrecy: Who's allowed to know what. Berlin, pp. 136-143. Förster, Till and Ammann, Carole . (2018) African Cities and the Development Conundrum: Actors and Agency in the Urban Grey Zone. In: African Cities and the Development Conundrum, 10. Amsterdam, pp. 3-25. Förster, Till. (2018) Die Entstehung von Governance. Regio Basiliensis, 58 (3). pp. 193-199. Förster, Till and Siegenthaler, Fiona. (2018) Introduction: Re-imagining Cities in Africa. Social Dynamics, 44 (3). pp. 395-404 . Förster, Till. (2018) La paix dans une zone de guerre. Lire la crise ivoirienne sur le temps long et par le bas. Politique Africaine, 148 (4). pp. 109-129. Förster, Till. (2018) Mirror Images: mediated sociality and the presence of the future. Visual studies, 33 (1). pp. 84-97. Siegenthaler, Fiona and Förster, Till. (2018) Re-imagining African cities. the arts and urban politics. Social Dynamics, 3. London. Koechlin, Lucy and Förster, Till. (2018) Secondary Cities and the Formation of Political Space in West and East Africa. In: The Palgrave Handbook of Urban Ethnography. Basingstoke, pp. 351-368. Förster, Till. (2018) The Unbearable Lightness of African Cities. Social Dynamics, 44 (3). Förster, Till and Koechlin, Lucy. (2018) Traditional Authorities. In: The Oxford Handbook of Governance and Limited Statehood. Oxford, pp. 231-249. 23 June 2017Badoux, Miriam and Förster, Till and Koechlin, Lucy and Sanogo, Aïdas. (2017) African Cities, by Comparision: Urban Land, Politics and Agency in East and West Africa. Basel Papers on Political Transformations, 13/14. 2017Förster, Till. (2017) Anthropology and Urban Comparisons. In: African Cities, By Comparison. urban land, politics and agency in East and West Africa. Basel, pp. 36-48. Förster, Till. (2017) Beyond the Metropolis: Inclusive Urbanity - Made in Korhogo, Côte d'Ivoire. In: Secondary Cities – The Urban Middle Ground. Basel, pp. 35-46. Förster, Till. (2017) Envisioning the City in Africa: Anthropology, Creativity and Urban Culture. In: The Palgrave Handbook of Creativity and Culture Research. London, pp. 449-471. Förster, Till. (2017) Kunst und visuelle Kultur. In: Ethnologie. Berlin, pp. 385-404. Förster, Till. (2017) Lucid Dreams - Alluring Cities: Imaginaries of the Urban in West Africa. In: Cities in Flux: Metropolitan Spaces in South African Literary and Visual Texts. pp. 235-249. Förster, Till and Schlehe, Judith. (2017) Passages of culture: Media and mediality in African societies. Journal of African Media Studies, 9 (1). pp. 3-15. 2016Förster, Till. (2016) Competition, Cooperation, and Creativity: The Political Economy of Workshops and Workshop Styles in Bamenda, Cameroon. Critical interventions : journal of African art and visual culture, 10 (2). pp. 154-171. Förster, Till. (2016) Eingriffe und Entwicklungszusammenarbeit: Ein ethnologisches Dilemma. Bulletin der Vereinigung der Schweizerischen Hochschuldozierenden, 42 (3/4). pp. 39-45. 2015Förster, Till. (2015) Bild und Vorbild : Intermedialität und Prädikation in Skulptur und neuen Medien Westafrikas. In: Leibhafte Kunst. Paderborn, pp. 253-280. Förster, Till. (2015) Dialogue Direct: Rebel Governance and Civil Order in Northern Côte d'Ivoire. In: Rebel Governance in Civil War. New York, pp. 203-225. Förster, Till. (2015) Jenseits der Worte : Über Teilnahme und Beobachtung in der Ethnographie visueller Medien. In: Handbuch der Medienethnographie. Berlin, pp. 37-56. Förster, Till. (2015) Land and social order in Middle Africa. In: African modernism : the architecture of independence. Zürich, pp. 614-623. Förster, Till. (2015) New Markets, New Patrons: Work–Trade Relationships in a West African art market. In: Africa in the Market. twentieh-century art from the African art collection. Toronto, pp. 75-97. Förster, Till. (2015) Senufo, Jula and Kulango. In: African art in the Barnes foundation : the Triumph of l'Art nègre and the Harlem Renaissance. New York, pp. 90-101. Förster, Till. (2015) Statehood and segmentary governance : an essay on political change in a west african city. In: Conceptualising comparative politics. London, pp. 169-191. Förster, Till. (2015) The formation of governance : the politics of governance and their theoretical dimension. In: The politics of governance. New York, pp. 197-218. 2014Förster, Till. (2014) A standing Senufo statue. In: Art in the many Africas. Charlotte, N.C., pp. 38-40. Förster, Till and Koechlin, Lucy. (2014) Ethnologie. In: Wörterbuch der Soziologie. Konstanz, pp. 107-108. Förster, Till. (2014) Initiation. In: Wörterbuch der Soziologie. Konstanz, p. 198. Förster, Till. (2014) On creativity in African urban life: African cities as sites of creativity and emancipation. In: Popular culture in Africa. The episteme of the everyday. London, pp. 27-46. Förster, Till. (2014) Ritual. In: Wörterbuch der Soziologie. Konstanz, pp. 410-411. Förster, Till. (2014) Trust and agency : an analysis of social relations during civil war. In: Faces of communities : social ties between trust, loyalty and conflict. Göttingen, pp. 43-60. 12 December 2013Arlt, Veit and Förster, Till and Obrist, Brigit. (12 December 2013) Living the City: Processes of invention and intervention in Africa. Newsletter de la SSEA / SGAS Newsletter. Bern. 2013Förster, Till. (2013) Between restoration, adaptation and appropriation : Governance in post-conflict Côte d'Ivoire. In: Emerging trends in asset recovery. Bern, pp. 137-146. Förster, Till. (2013) Insurgent nationalism: political imagination and rupture in Côte d'Ivoire. Afrika Spectrum : Zeitschrift für gegenwartsbezogene Afrikaforschung, Jg. 48, H. 3. pp. 3-31. Förster, Till. (2013) On urbanity : creativity and emancipation in African urban life. In: Living the City in Africa. Zürich, pp. 235-251. Förster, Till. (2013) Painted visions under rebel domination : a cultural center and political imagination in northern Côte d'Ivoire. In: Companion to Modern African Art. Chichester, pp. 528-547. Förster, Till and Kasfir, Sidney. (2013) Rethinking the workshop : work and agency in African art. In: African art and agency in the workshop. Bloomington, IN, pp. 1-23. Förster, Till. (2013) Senufo Art Works from the Leslie Sacks Collection. In: African arts from the Leslie Sacks Collection : Refined Eye, Passionate Heart. Milano, pp. 254-259. Förster, Till. (2013) The Intermediality of Portraiture in Northern Côte d'Ivoire. In: Portraiture and Photography in Africa. Bloomington, IN, pp. 407-437. Förster, Till. (2013) The Sliding Scale of Past and Present. African Arts, Vol. 46, no. 4. p. 6. Kasfir, Sidney and Förster, Till. (2013) The contributions to this book : researching the workshop in African art. In: African art and agency in the workshop. Bloomington, IN, pp. 24-36. Förster, Till. (2013) Work and workshop : the iteration of style and genre in two workshop settings, Côte d’Ivoire and Cameroon. In: African art and agency in the workshop. Bloomington, IN, pp. 325-359. 2012Förster, Till. (2012) Authentizität : ein Traum von Einmaligkeit. In: Afrika mit eigenen Augen. Oberhausen, pp. 85-104. Förster, Till. (2012) Imagining the Nation: independence ceremonies under rebel domination in northern Côte d'Ivoire. African arts, Vol. 45, no. 3. pp. 42-55. Förster, Till. (2012) Shifting Imageries: Memory, Projectivity and the Experience of Violence in Northern Côte d’Ivoire. In: Popular History Now and Then: International Perspectives. Bielefeld, pp. 231-261. Förster, Till. (2012) Statehood in a stateless society : political order and societal memory in northern Côte d'Ivoire. Basel. 2011Förster, Till and Heer, Barbara and Heer, and Engeler, Michelle and Kaufmann, Andrea A. and Bauer, Kerstin and Heitz, Kathrin. (2011) The Emic Evaluation Approach : epistemologies, experience, and ethnographic practice. Basel. Förster, Till and Koechlin, Lucy. (2011) The politics of governance : power and agency in the formation of political order in Africa. Basel. 2010Förster, Till. (2010) "Greener Pastures" : afrikanische Europabilder vom besseren Leben. In: Europa und Afrika. Basel, pp. 59-78. Bergman, Manfred Max and Eberle, Thomas and Flick, Uwe and Förster, Till and Horber, Eugène and Maeder, Christoph and Mottier, Véronique and Nadai, Eva and Rolshoven, Johanna and Seale, Clive and Widmer, Jean. (2010) A statement on the meaning, quality assessment, and teaching of qualitative research methods = Manifest zur Bedeutung, Qualitätsbeurteilung und Lehre der Methoden qualitativer Sozialforschung = Déclaration sur la signification, l'évalutation de la qualité et l'enseignement de méthodes de recherche qualitative. Bern. Förster, Till and Klimmt, Reinhard. (2010) Habari Afrika = Chabari Afrika : Schönheit und Magie in der Kunst Afrikas : aus der Sammlung Reinhard Klimmt. Merzig. Förster, Till. (2010) Maintenant, on sait qui est qui! Re-configurations of an African society after conflict. Development and change, Vol. 41, Nr. 4. pp. 699-722. Förster, Till and Kasfir, Sidney. (2010) Work and agency in African art : an introduction. In: Rethinking the workshop in African art. Bloomington, Indiana, pp. 1-21. 2009Förster, Till. (2009) Limiting violence - culture and the constitution of public norms : with a case study from a stateless area. In: Non-State Actors as Standard Setters. Cambridge, pp. 324-347. Förster, Till and Peters, Anne and Koechlin, Lucy. (2009) Towards Non-State Actors as Effective, Legitimate, and Accountable Standard Setters. In: Non-state actors as standard setters. Cambridge, pp. 492-562. Förster, Till. (2009) What is local about local art? : contemporary African artists between international art world and local life-world. In: Between Indigenous Australia and Europe. Berlin, pp. 183-196. 2008Förster, Till. (2008) Competing for attention : painters, pictures and images in the visual culture of urban Africa. Critical interventions : journal of African art and visual culture, H. 2. pp. 56-77. Förster, Till. (2008) Mediale Fremde : afrikanisch sehen - europäisch erkennen? In: Forschen unter Bedingungen kultureller Fremdheit. Wiesbaden, pp. 329-347, ill.. Förster, Till. (2008) Senufo anthropomorphic figures. In: Ethnopassion : la collezione d'arte etnica di Peggy Guggenheim = Peggy Guggenheim's ethnic art collection. Milano, pp. 110-125. 2007Förster, Till. (2007) Nicht alt, nicht neu : Holz in Kunst und Alltag der Senufo, Côte d'Ivoire. In: Holz-Kultur. Mainz am Rhein, pp. 115-134. Förster, Till. (2007) Staat und Staatlichkeit in Afika : vom Zerfall zum funktionierenden Chaos? In: Afrika im Wandel. Zürich, pp. 49-62. Förster, Till. (2007) The act and art of seeing visual media in West Africa: TV and video in northern Côte d'Ivoire. Film international : filmint, Vol. 28, Iss. 4. pp. 44-50. 2006Förster, Till. (2006) Negotiating the contemporary : local African artists in a globalizing art world. In: Die Schau des Fremden. Stuttgart, pp. 341-360, ill.. 2005Förster, Till. (2005) Fremde und Fremdheit in afrikanischen Gesellschaften. Afrika Spectrum : Zeitschrift für gegenwartsbezogene Afrikaforschung, Jg. 40, H. 2. pp. 241-266. Förster, Till. (2005) Layers of awareness : intermediality and practices of visual arts in northern Côte d'Ivoire. African arts, vol. 38, no. 4. pp. 32-37. Förster, Till. (2005) Smoothing the way of the dead : a Senufo rythm pounder. Bulletin / Yale University Art Gallery, 2005, S. 55-67, ill.. 2004Förster, Till. (2004) Am Rande des Staates : der Norden der Côte d'Ivoire 1979-2002. In: Blick nach vorn : Festgabe für Gerd Spittler zum 65. Geburtstag. Köln, pp. 14-27. Förster, Till. (2004) From rationality to creativity : ritual and religious experience in the work of Edward Evans‐Pritchard and Victor Turner. In: European traditions in the study of religion in Africa. Wiesbaden, pp. 245-253. Förster, Till. (2004) Nur die Fälschung ist ein Original. In: Kunstgeschichte und Weltgegenwartskunst. Berlin, pp. 199-218. Förster, Till. (2004) Pratiques de la mondialisation : une perspective ethnologique. In: Côté jardin, côté cour. Paris, pp. 209-226. Förster, Till. (2004) Wie fern ist Afrika? : Afrikaforschung in der sich globalisierenden Welt. Regio Basiliensis. - Basel, Jg. 45. pp. 77-85. 2003Förster, Till. (2003) Victor Turners Ritualtheorie : eine ethnologische Lektüre. Theologische Literaturzeitung, Jg. 128, H. 7/8 , S.704-716. 1997Förster, Till. (1997) Zerrissene Entfaltung : Alltag, Ritual und künstlerische Ausdrucksformen im Norden der Côte d'Ivoire. Studien zur Kulturkunde, Bd. 107. Köln. 1995Förster, Till. (1995) Skulptur in Westafrika : Masken und Figuren aus Burkina Faso : [Sammlung "Burkina Faso" aus dem Morat-Institut für Kunst und Kunstwissenschaft, Freiburg im Breisgau. Heilbronner Museumskatalog, Nr. 55. Duisburg. 1988Förster, Till. (1988) Die Kunst der Senufo. Zürich. Förster, Till. (1988) Kunst in Afrika. DuMont-Taschenbücher, 219. Köln. Förster, Till and Holzhauser, Michael. (1988) La région Sénoufo en Côte d'Ivoire et l'utilisation de biogaz. Rossdorf. Förster, Till. (1988) Paroles de devin : la fonte à la cire perdue chez les Sénoufo de Côte d'Ivoire : [exposition, Musée national des arts africains et océaniens], 27 janvier - 9 mai 1988. Paris. 1987Förster, Till and Holzhauser, Michael. (1987) Biogas im ländlichen Milieu: Zielgruppen und Trägerorganisationen in der Elfenbeinküste. Saarbrücken. Förster, Till. (1987) Glänzend wie Gold : Gelbguss bei den Senufo, Elfenbeinküste. Veröffentlichungen des Museums für Völkerkunde Berlin. Neue Folge. Abteilung Afrika, 9. Berlin[-West]. Förster, Till. (1987) Musik der Senufo = Musique des Sénoufos : Gesänge und Xylophonmusik der Senufo, Elfenbeinküste : Côte d'Ivoire. Berlin. 1985Förster, Till. (1985) Divination bei den Kafibele-Senufo : zur Aushandlung und Bewältigung von Alltagskonflikten. Berlin. |
