The culture of justice : reflections on punishement in Dostoevsky´s The Idiot

The article investigates Dostoevsky's juridical discourse and demonstrates that the apologist of the Russian soul had a genuinely European mind. In his novel The Idiot in particular, in which the death penalty and imprisonment are explored, Dostoevsky unmasks-more radically even than Victor Hugo-the supposedly civilised and lenient forms of modern criminal justice. Dostoevsky's criticism is ahead of its time; his arguments resemble those subsequently put forward by Foucault. A comparison with Anatoly Pristavkin's report on post-Communist crime and jurisdiction underscores the topicality of these reflections.