Lebende Bilder der Toten. Filmische Körperpräsenzen in Grezy (Tagträume)

Wanner, Clea. (2019) Lebende Bilder der Toten. Filmische Körperpräsenzen in Grezy (Tagträume). In: Zwischenzeiten, Zwischenräume, Zwischenspiele. Berlin, pp. 233-244.

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By showing two opposing female characters Bauėr's film Grėzy (Daydreams) links symbolist and modern discourses. Analyzing cinematic bodies, this article examines how the film not only demonstrates a metacultural conflict, but also creates powerful visual images through which the film negotiates its own mediality.
Faculties and Departments:04 Faculty of Humanities and Social Sciences > Departement Sprach- und Literaturwissenschaften > Fachbereich Slavistik
UniBasel Contributors:Wanner, Clea
Item Type:Book Section
Book Section Subtype:Further Contribution in a Book
Publisher:Peter Lang
Series Name:Symbolae Slavicae
Note:Publication type according to Uni Basel Research Database: Book item
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Last Modified:11 Mar 2020 12:46
Deposited On:11 Mar 2020 12:46

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