Entwurf oder Ausarbeitung? Die Quellen zu Anton Weberns "Streichquartett" (1905)

Ahrend, Thomas. (2015) Entwurf oder Ausarbeitung? Die Quellen zu Anton Weberns "Streichquartett" (1905). Musiktheorie, 30 (4). pp. 316-332.

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The distinction and possible tensions between the written score and a performance of a work is a medial characteristic of so called western art music. Furthermore "music" can be written down with regard to several functions, e.g. to sketch a compositional idea or to serve as a performance score. But different kinds of (written) musical sources do not always function in a categorized way that would allow a clear distinction for instance between "draft" and "elaboration", but are often interrelated in a much more complex manner that hints among other things at the processual character of composition. In a first part of this paper the various surviving sources to Webern's String Quartet (1905) are described in this respect. In a second part an analysis of a certain compositional detail (concerning the conception of the quartet as a sonata form) is proposed that refers to some observations in the sketches and the "Form-Entwurf".
Faculties and Departments:04 Faculty of Humanities and Social Sciences > Departement K√ľnste, Medien, Philosophie > Fachbereich Musikwissenschaft
UniBasel Contributors:Ahrend, Thomas
Item Type:Article
Article Subtype:Research Article
Note:Publication type according to Uni Basel Research Database: Journal article
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Last Modified:25 Apr 2019 12:37
Deposited On:25 Apr 2019 12:37

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