Items where Division is "04 Faculty of Humanities and Social Sciences > Departement Sprach- und Literaturwissenschaften > Fachbereich Englische Sprach- und Literaturwissenschaft"

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Burleigh, Peter. (2020) Photogenic Intensions. Membrana, 5 (1). pp. 60-65.

Burleigh, Peter. (2019) Photogenesis - Brokering World. In: Aberrant Nuptials: Deleuze and Artistic Research 2. Leuven, pp. 437-444.

Burleigh, Peter. (2014) The Staging of History: photogenesis of times past. In: Memory Lab: photography challenges history. Győr, pp. 60-65.

Burleigh, Peter and Jung, Sophie. (2012) Tourist Signatures: Explorations of Space and Place in Found Photographs. In: Tourists and Nomads: Amateur Images of Migration. Marburg, pp. 79-90.

Burleigh, Peter and Jung, Sophie. (2011) The beach as a space of defamiliarisation. Journal of visual art practice, Vol. 9, H. 3. pp. 245-257.

Burleigh, Peter and Ochsner, Andrea. (2011) British culture and topographies of Resistance: Cross-dressing in narrative fiction and photography. In: Reading British Spaces. Tübingen, pp. 212-230.

Burleigh, Peter. (2009) The burden of moment: photography's inherent monumentalizing effect. In: Moment to monument : the making and unmaking of cultural significance. Bielefeld, pp. 185-195.

Burleigh, Peter and Ochsner, Andrea. (2009) The British Sitcom in the 1970s: applied tactics in confined spaces.

Bernays, Ludwig and Marti, Markus. (2006) Shakespeare In A Roman Garb. In: Gulielmi Shakespeare Carmina Latine Reddita = Latin elegies after William Shakespeare's sonnets = Lateinische Elegien nach den Sonetten Shakespeares. Dozwil, pp. 209-228.

Burleigh, Peter. (2005) A real past: Mid-nineteenth-century photographic texts and images. In: Inventing the past : memory work in culture and history. Basel, pp. 43-60.

Burleigh, Peter and Skandera, Paul. (2005) A manual of English phonetics and phonology : twelve lessons with an integrated course in phonetic transcription. Narr Studienbücher. Tübingen.

Blum, Roger and Ochsner, Andrea. (2003) The Media in Switzerland. In: Media in multilingual societies. Wien, pp. 131-158.

Burleigh, Peter. (2002) Seeking the subject in mid nineteenth-century images. In: Sensuality and power in visual culture. Umeå, pp. 82-128.

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Caci Haag, Ursula. (2014) Der Affekt als Effekt in Emily Dickinsons Briefen an den Master. In: Affekt und Geschlecht. eine einführende Anthologie. Wien, pp. 447-470.

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Engler, Balz. (2018) On Gottfried Keller's 'A Village Romeo and Juliet' and Shakespeare adaptation in general. Borrowers and Lenders, 11 (2). pp. 1-11.

Engler, Balz. (2018) Quoting Shakespeare: 'Words, words, words'? In: Kősziklára Építve/Built upon His Rock: Írások Dávidházi Péter tiszteleletére/Writings in Honour of Péter Dávidházi. Budapest, pp. 92-97.

Engler, Balz. (2017) Heavenly Eloquence: Romeo and Juliet and Linguistic Conflict. In: 'Romeo and Juliet' in European Cultures, 1. Amsterdam, pp. 25-36.

Engler, Balz and Hohl Trillini, Regula and Quaßdorf, Sixta. (2010) HyperHamlet.

Engler, Balz. (2001) Shakespeare als Denkmal. Akademievorträge / Schweizerische Akademie der Geistes- und Sozialwissenschaften, H. 6. Bern.

Engler, Balz. (1990) Poetry and community. Tübingen.

Engler, Balz. (1982) Reading and listening : the modes of communicating poetry and their influence on the texts. The Cooper monographs on English and American language and literature, 30. Bern.

Engler, Balz. (1974) Rudolf Alexander Schröders Uebersetzungen von Shakespeares Dramen. The Cooper monographs on English and American language and literature, 18. Bern.

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Gygax, Franziska. (2020) The Wounded Self: Writing Illness in Twenty-First-Century German Literature by Nina Schmidt (review). Biography, 43 (2). pp. 508-511.

Gygax, Franziska. (2017) A Life A Life A Life: Alive! And Retiring from Life Writing? Autobiography studies, 32 (2). pp. 203-205.

Gygax, Franziska. (2017) Rev. of Telling the Flesh: Life Writing, Citizenship, and the Body in the Letters to Samuel Auguste Tissot, by SONJA BOON. Autobiography studies, 32 (3). pp. 702-705.

Gygax, Franziska. (2016) Zu Ende erzählen: Leben und Sterben im Text. Hermeneutische Blätter (2). pp. 25-32.

Gygax, Franziska. (2015) Sitwell Edith Sitwell: Stein and Sitwell in Echo. In: Gertrude Stein in Europe: Reconfigurations Across Media, Disciplines, and Traditions. London, pp. 71-84.

Gygax, Franziska. (2015) Woundable, around the bounds: Life (beyond) writing and terminal illness. In: Narrative matters in medical contexts across disciplines. Amsterdam and Philadelphia, pp. 33-45.

Gygax, Franziska. (2013) On Being Ill (in Great Britain and the US): Illness Narratives of the Self. European Journal of Life Writing, 2. pp. 1-17.

Gygax, Franziska. (2013) Theoretically Ill: Autobiographer, Patient, Theorist. In: The Writing Cure: Literature and Medicine in Context. Münster, pp. 173-190.

Gygax, Franziska and Locher, Miriam A. and Koenig, Regula. (2012) Moving across disciplines and genres : reading identity in illness narratives and reflective writing texts. In: Medical communication in clinical contexts. Dubuque, pp. 17-35.

Gygax, Franziska. (2008) Gertrude Stein. In: The Oxford encyclopedia of women in world history. Oxford, pp. 155-156.

Gygax, Franziska. (2007) The aesthetics of illness : narratives as empowerment. In: American Aesthetics. Tübingen, pp. 191-206.

Gygax, Franziska. (2006) Erzählen von Krankheit als Autobiographie und Theorie. In: Narration und Geschlecht : Texte, Medien, Episteme. Köln, pp. 409-422.

Gygax, Franziska. (2006) The optimist's daughter : a woman's memory. In: Eudora Welty. New York, pp. 200-210.

Gygax, Franziska. (2006) The portrait as word and (a)head: Gertrude Stein and the staging of (Her)Self. In: The seeming and the seen : essays in modern visual and literary culture. Bern, pp. 209-224.

Gygax, Franziska. (2003) Life writing, illness, and the body: My urgencies reflect my priorities. In: Controversial women's body. Bologna, pp. 211-222.

Gygax, Franziska. (1998) Gender and genre in Gertrude Stein. Contributions in women's studies, No. 169. Westport,Conn..

Gygax, Franziska. (1998) I am II am III am IIII am : Gertrude Steins Autobiographien. In: Das erdichtete Ich - eine echte Erfindung. Aarau, pp. 98-107.

Gygax, Franziska. (1996) Gender und Genre in der Autobiographie.

Gygax, Franziska. (1996) Swiss Women in Academia. In: Engendering Identities. Porto, pp. 133-138.

Gygax, Franziska. (1996) [Rezension von] Monika Hoffmann, Gertrude Steins Autobiographien - The Autobiography of Alice B. Toklas und Everybody's Autobiography. Amerikastudien, vol. 41, no. 3. pp. 521-522.

Gygax, Franziska. (1993) Whose Autobiography? : Gertrude Stein and Everybody's Autobiographies. In: Methodologies of Gender. Rome, pp. 56-70.

Gygax, Franziska. (1992) Gertrude Stein and the Deconstruction of the Family : the Making of Americans. In: Women in search of literary space. Tübingen, pp. 134-149.

Gygax, Franziska. (1991) Demur - You're Straightway Dangerous: Woman on the Edge of Time. In: Ways of knowing: Essays on Marge Piercy. Mobile (Ala.), pp. 51-59.

Gygax, Franziska. (1991) Widersprache und Muttersprache in Gertrude Steins The Mother of Us All. In: Solidarität - Streit - Widerspruch : Festschrift für Judith Jánoska. Zürich, pp. 155-169.

Gygax, Franziska. (1990) Serious daring from within : female narrative strategies in Eudora Welty's novels. Contributions in women's studies, no. 114. Westport (Conn.) : London.

Gygax, Franziska. (1988) Schwarze Frauen schreiben.

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Hohl Trillini, Regula. (2020) "Dreadful Insanity": Jane Austen and musical performance. In: Edinburgh Companion to Word and Music Studies. Edinburgh, pp. 327-332.

Hohl Trillini, Regula. (2018) Casual Shakespeare: Three Centuries of Verbal Echoes. Routledge Studies in Shakespeare, 30. New York and London.

Hohl Trillini, Regula and Engler, Balz and O'Neill, Stephen. (2018) Digital Technology and the Future of Reception History. In: Shakespeare and Quotation. Cambridge, pp. 275-294.

Hohl Trillini, Regula. (2015) [Review of] Leslie C. Dunn and Katherine R. Larson, eds. Gender and Song in Early Modern England. (Ashgate, Farnham and Burlington, Vt., 2014). Music and letters, 96 (3). pp. 462-464.

Hohl Trillini, Regula. (2014) "Hamlet in der Kriminalliteratur". In: Hamlet-Handbuch. Tübingen, pp. 520-525.

Hohl Trillini, Regula. (2014) Hamlet-Zitate in der englischen Sprache und Literatur. In: Hamlet-Handbuch. Tübingen, pp. 529-532.

Hohl Trillini, Regula. (2012) Hamlet's soliloquy: An eighteenth-century genre. Borrowers and Lenders, 7 (1). pp. 1-24.

Hohl Trillini, Regula. (2012) Review of “Wolfgang Mieder. Sein oder Nichtsein. Kulturelle Motivstudien". Yearbook of Phraseology, 3 (1). pp. 153-155.

Hohl Trillini, Regula. (2011) 2B or not 2B: Hamlet lebt weiter. Alumni Magazine der Universität Basel. p. 12.

Hohl Trillini, Regula. (2011) Don't worry, be trendy : Shakespeares Rezeption als ermutigender Modellfall. In: Anglistentag 2010 Saarbrücken : proceedings. Trier, pp. 19-24.

Hohl Trillini, Regula. (2009) Hamlet and Textual Re-Production 1550-1650. In: The Construction of Textual Identity in Medieval and Early Modern Literature. Tübingen, pp. 163-176.

Hohl Trillini, Regula. (2009) Like perfect music unto noble words" : Gender metaphors in Victorian poetry. In: Dichotonies. Gender and Music. Heidelberg, pp. 147-162.

Hohl Trillini, Regula and Langlotz, Andreas. (2009) The Grammar of "To Be Or Not To Be". In: Phraseologie disziplinär und interdisziplinär. Tübingen, pp. 155-166.

Hohl Trillini, Regula. (2008) The Gaze of the Listener : English Representations of Domestic Music-Making. Word and music studies, 10. Amsterdam.

Hohl Trillini, Regula. (2008) The gaze of the listener : Shakespeare's sonnet 128 and early modern discourses of music and gender. Music and letters, 89, no. 1. pp. 1-17.

Hohl Trillini, Regula and Quaßdorf, Sixta. (2008) Quotations and their co(n)texts : Corpus-based insights into discoursing with Hamlet. In: Variability and change in language and discourse. Strasbourg, pp. 141-155.

Hohl Trillini, Regula. (2007) Tom, Dick and ... Jack in the OED and in Sonnet 128. Shakespeare-Jahrbuch, 143. pp. 177-179.

Hohl Trillini, Regula. (2006) Der Zuhörer ist ganz Auge.

Hohl Trillini, Regula. (2006) HyperHamlet©: Making a Corpus Out of the Literature Online Corpus. [S.l.].

Hohl Trillini, Regula. (2006) The Dear Dead Past : the Piano in 19th-Century Poetry. In: Phrase and subject : Studies in Literature and Music . London, pp. 112-124.

Hohl Trillini, Regula. (2005) Hamlet und die Folgen.

Hohl Trillini, Regula. The gaze of the listener : representations of domestic music-making in English literature 1550-1918. 2004, Doctoral Thesis, University of Basel, Faculty of Humanities and Social Sciences.

Hohl Trillini, Regula. (2001) [Rezension von] Phyllis Weliver: Woman Musicians in Victorian Fiction, 1860-1900: Representations of Music, Science and Gender in the Leisured Home. The George Eliot review, 32. pp. 91-92.

Hohl Trillini, Regula. Polyphonie, Intertextualität und problematisiertes Erzählen bei Raabe und Grimmelshausen. 1997, Master Thesis, University of Basel, Faculty of Humanities and Social Sciences.

Hohl Trillini, Regula. (1997) Stimmengewirr aus schwierigen Zeiten: Erzählen über schlimme Frauen bei Raabe und Grimmelshausen. Jahrbuch der Raabe-Gesellschaft, 38. pp. 123-146.

Hohl Trillini, Regula and Quaßdorf, Sixta and Engler, Balz and Häcki Buhofer, Annelies and Roth, Tobias. HyperHamlet. Corpus of references to and quotations from Shakespeare’s Hamlet. [Research Data]

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Jucker, Andreas H. and Landert, Daniela. (2015) Historical pragmatics and early speech recordings: Diachronic developments in turn-taking and narrative structure in radio talk shows. Journal of Pragmatics, 79. pp. 22-39.

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Klapproth, Danièle M.. (2015) Fostering connectedness through narrative involvement : intercultural community theater in contexts of migration and refugeehood. In: Representations of war, migration and refugeehood : interdisciplinary perspectives. New York, pp. 191-213.

Klapproth, Danièle. (2007) Narrating across cultural boundaries, or where were Rocky's fathers brothers? In: Cultures in contact. Tübingen, pp. 77-94.

Klapproth, Danièle. (2006) [Rezension von] Bamberg, Michael and Molly Andrews (eds.), Considering Counter-Narratives - Narrating, Resisting, Making Sense : Amsterdam, Philadelphia, John Benjamins 2004. Discourse and society, vol. 17, no. 5. pp. 684-686.

Klapproth, Danièle. (2004) Narrative as social practice : Anglo-Western and Australian aboriginal oral traditions. Language, power and social process, 13. Berlin.

Klapproth, Danièle. (1997) Erzählungen, die Brücken schlagen : Erzählkultur der Aborigines.

Klapproth, Danièle and Hopfer, Sabina. (1997) Die Magie des gesprochenen Wortes : die Aborigine-Erzählerin Maureen Watson.

Klapproth, Danièle. (1994) [Rezension von] Wyler, Siegfried, Colour and Language: Colour Terms in English : Tübingen: Gunter Narr, 1992, 203 pp., ISBN 3-8233-4219-3. Bulletin suisse de linguistique appliquée, No. 60. pp. 171-174.

Klapproth, Danièle. (1991) A spiritual pilgrimage : Malcolm Lowry's religious vision in October Ferry to Gabriola. In: Wrightwights : litter-a-tour, Vol. 1, No. 1. Berne.

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Landert, Daniela. (2021) The spontaneous co-creation of comedy: Humour in improvised theatrical fiction. Journal of Pragmatics, 173. pp. 68-87.

Landert, Daniela. (2017) Meta-Communicative Expressions and Situational Variation of Stance Marking: I say and I tell (you) in Early Modern English Dialogues. Nordic Journal of English Studies, 16 (1). pp. 120-144.

Landert, Daniela. (2017) Review of Birte Bös and Lucia Kornexl (eds.). Changing Genre Conventions in Historical English News Discourse. Advances in Historical Sociolinguistics 5. Amsterdam/Philadelphia, PA: Benjamins, 2015, xv + 254 pp., Euro 99.00/$ 149.00. Anglia, 135 (2). pp. 358-362.

Landert, Daniela and Miscione, Gianluca. (2017) Narrating the stories of leaked data: The changing role of journalists after Wikileaks and Snowden. Discourse, Context & Media, 19. pp. 13-21.

Lüthi, Daniel. (2017) Jenseits der Todorov’schen Grenze: Versuch eines Brückenschlags zwischen zeitgenössischer Fantastik und Fantasy anhand von Michel Mettlers Roman Die Spange (2006). In: Funktionen der Fantastik. Neue Formen des Weltbezugs von Literatur und Film nach 1945. Heidelberg, pp. 155-171.

Lüthi, Daniel. (2016) Romance of the Grail: The Magic and Mystery of Arthurian Myth. Mythlore, 35 (1). pp. 152-154.

Landert, Daniela. (2014) Personalisation in Mass Media Communication: British online news between public and private. Pragmatics & Beyond New Series, 240. Amsterdam.

Langlotz, Andreas and Klapproth Muazzin, Danièle. (2014) Unveiling the phantom of the “Islamic takeover” : a critical, cognitive-linguistic analysis of the perpetuation of an Orientalist schema. In: The expression of inequality in interaction : power, dominance, and status. Amsterdam, pp. 105-141.

Lüthi, Daniel. (2014) Toying With Fantasy: The Postmodern Playground of Terry Pratchett’s Discworld Novels. Mythlore, 33 (1). pp. 125-142.

Landert, Daniela and Jucker, Andreas H.. (2011) Private and public in mass media communication: From letters to the editor to online commentaries. Journal of Pragmatics, 43 (5). pp. 1422-1434.

Locher, Miriam A.. (2011) Situated impoliteness: the interface between relational work and identity construction. In: Situated Politeness. London, pp. 187-208.

Langlotz, Andreas. (2010) Social cognition. In: Handbooks of pragmatics. Vol. 6, Interpersonal pragmatics. Berlin, pp. 167-204.

Landert, Daniela. (2009) Constructing (non-)normative identities online. Self-classifications in text-based online chats. Hegemonies in Classification Processes. Special Issue of ISA RC 25 Language & Society Newsletter, 6 (2).

Langlotz, Andreas. (2009) The creative construction of social orientation : situated positioning with English as a lingua franca. In: Language and social cognition. Berlin, pp. 203-236.

Langlotz, Andreas. (2008) Contextualisation cues as mental-space builders. In: Du fait grammatical au fait cognitive – From gram to mind: grammar as cognition. Bordeaux, pp. 347-366.

Langlotz, Andreas. (2007) Book Review: Discourses of Post-Bureaucratic Organization (Document Design Companion Series 5) : Amsterdam & Philadelphia: John Benjamins, 2003. Discourse and Communication, 1 (1). pp. 115-117.

Langlotz, Andreas. (2007) Book review: Renata Fox and John Fox, Organizational Discourse: A Language—Ideology—Power Perspective : Westport, CT/London: Praeger, 2004. Discourse and Communication, 1 (3). pp. 369-371.

Langlotz, Andreas. (2007) Book reviews: Carolyn D. Baker, Michael Emmison and Alan Firth (eds), Calling for Help. Language and Social Interaction in Telephone Helplines (Pragmatics & Beyond New Series 143) : Amsterdam: John Benjamins, 2005. Discourse and Society, 18 (5). pp. 682-684.

Langlotz, Andreas. (2006) A cognitive linguistic analysis of lexical substitution in idioms. In: Phraseology in motion : Akten der Internationalen Tagung zur Phraseologie (Basel, 2004). Baltmannsweiler, pp. 381-396.

Langlotz, Andreas. (2006) Idiomatic creativity : a cognitive-linguistic model of idiom-representation and idiom-variation in English. Human cognitive processing, Vol. 17. Amsterdam.

Langlotz, Andreas. (2006) Occasional adnominal idiom modification : a cognitive linguistic approach. International journal of English studies, Vol. 6, Nr. 1. pp. 85-108.

Langlotz, Andreas. (2006) [Rezension von] David Holman and Richard Thorpe (eds), Management and Language : London, Thousand Oaks, CA, New Delhi: Sage, 2003, x + 196 S. Discourse Studies, 8 (3). pp. 461-462.

Langlotz, Andreas and Schiltz, Guillaume. (2006) The COLAC Model : collaborative paper-writing in the humanities. In: Learning by effective utilization of technologies : facilitating intercultural understanding. Amsterdam, pp. 119-122.

Langlotz, Andreas. (2005) Are constructions the basic units of grammar? : the phraseological turn in linguistic theory. In: Language chunks and linguistic units. Strasbourg, pp. 45-63.

Langlotz, Andreas. (2004) Conceptual blending as a principle of idiom structure and idiom variation. In: Europhras 2000 : Internationale Tagung zur Phraseologie vom 15.-18. Juni 2000 in Aske. Tübingen, pp. 263-272.

Langlotz, Andreas. (2004) What are metaphors? In: Phraseological units: basic concepts and their application. Basel, pp. 37-51.

Langlotz, Andreas. (2004) eHistLin g – Approaching English Historical Linguistics through concepts of blended learning. In: The know-how hub for blended learning and media didactics : Proceedings of 6th International Conference on New Educational Environments (ICNEE). Neuchâtel.

Langlotz, Andreas and Schiltz, Guillaume. (2004) Zum Potential von E-Learning in den Geisteswissenschaften. In: Campus 2004 : kommen die digitalen Medien an den Hochschulen in die Jahre?. Münster, pp. 245-254.

Langlotz, Andreas and Schiltz, Guillaume. (2004) eHistLing – Integrating communication and cooperation in the humanities. In: International conference on computers in education 2004 : Book of abstracts. Melbourne, p. 149.

Locher, Miriam A.. (2004) You better keep quiet Steven : we're going to have a war : the exercise of power in a sociable argument among family members and friends. In: Linguistische Studien im europäischen Jahr der Sprachen : Akten des 36. Linguistischen Kolloquiums in Ljubliana 2001 = Linguistic studies in the European year of languages : proceedings of the 36th Linguistic Colloquium, Ljublijana 2001. Frankfurt, pp. 379-389.

Langlotz, Andreas. (2001) Ambiguity and the creative use of idioms in commercial print advertisements. In: Linguistic Ambiguity. Strasbourg, pp. 111-127.

Langlotz, Andreas. (2001) Cognitive principles of idiom variation : idioms as complex linguistic categories. Studi italiani di linguistica teorica e applicata, H. 2. pp. 289-302.

Langlotz, Andreas. (1999) Focussing on the semantics of idioms from the perspective of linguistic creativity: a cognitive semantic analysis of idiom variation in English. Bulletin der Europäischen Gesellschaft für Phraseologie (EUROPHRAS, H. 1. pp. 21-22.

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Moser, Salome. Narrating Petro-Urbanisms: Oil Towns in the North American Novels Long Change (2015), Heat and Light (2016) and Valentine (2020). 2021, Master Thesis, University of Basel, Faculty of Humanities and Social Sciences.

McLaren, Hannah. "Oil and Water Don't Mix": The Petrospectacle and Petro(in)visibility in Global Petrofiction. 2019, Master Thesis, University of Basel, Faculty of Humanities and Social Sciences.

Messerli, Thomas C.. (2019) Subtitles and cinematic meaning-making: Interlingual subtitles as textual agents. Multilingua, 38 (5). pp. 529-546.

Mohanty, Sangeeta. The Indian response to Hamlet : Shakespeare's reception in India and a study of "Hamlet" in sanskrit poetics. 2010, Doctoral Thesis, University of Basel, Faculty of Humanities and Social Sciences.

Marti, Markus. (2009) SH:in:E - Shakespeare in Europe.

Miscione, Gianluca and Landert, Daniela. (2009) Hegemonies in classification processes: Introduction. RC 25 Language & Society. Special Issue: Hegemonies in Classification Processes, 6 (2).

Marti, Markus. (2008) "Hamlet oder Was Ihr Wollt - auf Schweizer Bühnen". Shakespeare-Jahrbuch, Bd. 144. pp. 215-223.

Marti, Markus and Gomringer, Eugen. (2008) Eines Sommers Sonette = A summer's sonnets. Dozwil.

Marti, Markus. (2007) "Vom Gehört- und Gesehenwerden - auf Schweizer Bühnen". Shakespeare-Jahrbuch, Bd. 143. pp. 217-222.

Marti, Markus. (2006) "Die Macht ist bunt geblümt, schwarz, braun oder grau". Shakespeare-Jahrbuch, Vol. 142. pp. 184-191.

Marti, Markus. (2006) Shakespeare in der Mundart von Visp (Sonette 1-3). Harass, Vol. 21. pp. 151-153.

Marti, Markus. (2006) Shakespeare in klassischem Gewande. In: Gulielmi Shakespeare Carmina Latine Reddita = Latin Elegies after William Shakespeares' Sonnets = Lateinische Elegien nach den Sonetten Shakespeares. Dozwil, pp. 187-208.

Michalcak, Lucia. (2006) From cultural trauma to hybridity : the example of Maxine Hong Kingston. Variations, Nr. 14. pp. 35-42.

Marti, Markus. (2005) William Shakespeare. Sonette.

Marti, Markus. (1998) Anon : ein Lied : Übersetzung des Shakespeare zugeschriebenen Gedichts 'Shall I Die, Shall I Fly?'. Shakespeare-Jahrbuch, Vol. 134. pp. 171-172.

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Ochsner, Andrea. (2012) Fictions of uncertainty: The crisis of masculinity and fatherhood in 'ladlit'. European Journal of Cultural Studies, 15 (1). pp. 89-104.

Ochsner, Andrea. (2011) Opportunism versus Defeatism in Room at the Top and Saturday Night and Sunday Morning. A Literary Analysis from a Cultural Studies Perspective. In: Teaching Cultural Studies. Methods - Matters - Models. Heidelberg, pp. 175-198.

Ochsner, Andrea. (2011) The desire that cannot speak its name: the female gaze and the transgender subject in Boys Don't Cry. In: Männlichkeiten denken. aktuelle Perspektiven der kulturwissenschaftlichen Masculinity Studies. Bielefeld, pp. 171-193.

Ochsner, Andrea. (2011) Who is that Man? Lad Trouble in High Fidelity, The Best a Man Can Get and White City Blue. In: The Construction of Masculinities from the Middle Ages to the Present. London, pp. 247-266.

Ochsner, Andrea. (2009) Lad trouble : masculinity and identity in the British male confessional novel of the 1990s. Cultural studies (Transcript), 35. Bielefeld.

Ochsner, Andrea. (2006) "Wo chiemte mr hi?" Nationalität und Lokalpatriotismus. ProgrammZeitung, (206). p. 14. Basel.

Ochsner, Andrea. (2006) Konsens und Diskurs : wider eine aporetische Medienethik. In: Wes Land ich bin, des Lied ich sing? : Medien und politische Kultur. Bern, pp. 367-378.

Ochsner, Andrea. (2006) Weder Macho noch Softie : Männerforschung.

Ochsner, Andrea. (2004) Über den narrativen Charakter von Werbetexten : Werbung und sozialer Wandel aus Sicht der Cultural Studies. Medienwissenschaft Schweiz, 2. pp. 23-35.

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Pavkovic, Natasa. Of Bohemian Beatniks And Czech Hippies. The Entanglement of the Beat Generation and the Czech Underground. 2021, Master Thesis, University of Basel, Faculty of Humanities and Social Sciences.

Plattner, Nadine. "lt's About the Kink of Your Hair". The Politics of Hair in Chimamanda Ngozi Adichie's Half of a Yellow Sun, Americanah, The Thing Around Your Neck and Hair. 2021, Master Thesis, University of Basel, Faculty of Humanities and Social Sciences.

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Quassdorf, Sixta. (2016) "A little more than kin" - Quotations as a linguistic phenomenon : a study based on quotations from Shakespeare's Hamlet. NIHIN Studies. Freiburg.

Quassdorf, Sixta. (2012) 'These words are not mine. No, nor mine now' - poetic language relocated. In: Language studies : stretching the boundaries. Newcastle Upon Tyne, pp. 162-176.

Quaßdorf, Sixta. (2012) Quotations or anonymous phrasemes - that ist the question! In: Phraseology and discourse : cross linguistic and corpus-based approaches. Baltmannsweiler, pp. 399-410.

Quaßdorf, Sixta. (2011) [Rezension von] Dorgeloh, Heidrun and Anja Wanner: syntactic variation and genre : Berlin 2010. Linguist List, 2011, item 22.3028.

Quaßdorf, Sixta. (2010) "On quoting ..." - a corpus-based study on the phraseology of well-known quotations. In: Proceedings of the Corpus Linguistics Conference : CL 2009, Art. 52, 19 S.. Liverpool.

Quaßdorf, Sixta. (2010) Alison Wray: formulaic language : pushing the boundaries. Yearbook of Phraseology, 1 (1). pp. 203-209.

Quaßdorf, Sixta and Häcki-Buhofer, Annelies. (2010) '...you are quoting Shakespeare' : Quotations in practice. In: Korpora, Web und Datenbanken : Computergestütze Methoden in der modernen Phraseologie und Lexikographie. Baltmannsweiler, pp. 215-228.

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Regan, Sheila and Quinn, Damian. (2008) Motivation in blended learning courses – convincing learners of 'added value'. In: Autonomes Fremdsprachenlernen in Hochschule und Erwachsenbildung. Bochum, pp. 87-97.

Regan, Sheila and Quinn, Damian. (2008) Motivation in blended learning – exploiting the 'added value'. In: Fremdsprachenlernen online : Erfahrungen und Erkenntnisse im Projektverbund SprachChancen. Münster, pp. 49-58.

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Streicher, Julia. "Mark my words, the educated inherit this land". The Representation of Education in Southern African Anglophone Fiction. 2021, Master Thesis, University of Basel, Faculty of Humanities and Social Sciences.

Schweighauser, Philipp. (2012) Book and Wax: Two Early American Media of Deception. Philologie im Netz. Beihefte, 5. pp. 4-44.

Steffen, Therese. (2010) Rita Dove. In: Kritisches Lexikon zur fremdsprachigen Gegenwartsliteratur (KLfG). München.

Steffen, Therese. (2007) A Poetic Politics of Gender in Motion : Rita Dove's transkulturelle Geschlechter(t)räume. In: Gender in motion. Frankfurt am Main, pp. 239-256.

Steffen, Therese. (2007) The Idea of order in Rita dove's "mother love". In: Ideas of order in contemporary American poetry. Würzburg, pp. 245-256.

Steffen, Therese. (2006) Gender. Grundwissen Philosophie, 20307. Leipzig.

Steffen, Therese. (2006) Von Geschlechter- zu Menschenrollen : Peace vermutet: Europa in 50 Jahren.

Steffen, Therese. (2005) Jyoti of Hasnapur heisst jetzt Jazzy : Identität(en) und Alterität zwischen Anpassung und Widerstand. In: Indialogue. Zürich (Indian Association), pp. 169-178.

Steffen, Therese. (2005) The desire of knowledge or, the body in excess : Lewis Nkosi's play "the black psychiatrist". In: Still beating the drum : critical perspectives on Lewis Nkosi. Amsterdam, pp. 103-126.

Steffen, Therese. (2005) Zwischen Anpassung, Widerstand und Selbstfindung : Schreiben in Südafrika. Schritte ins Offene, Vol. 5. pp. 24-27.

Steffen, Therese. (2004) On the Bus with Rosa Parks : Perspectives of the Local and the Global in Rita Dove's Poetry. In: A World of Local Voices : poetry in English Today. Würzburg, pp. 136-143.

Steffen, Therese. (2003) "Diversity" in US-American cultural contexts. In: KörperKonzepte : interdisziplinäre Studien zur Geschlechterforschung. Münster, pp. 121-128.

Steffen, Therese. (2003) Gray Areas: Representation, Identities and Politics in Afro-American Race Performances - Kara Walker's Hybrid Body Concepts. In: Crossroutes: The Meaning of Race for the 21st Century. Münster, pp. 255-268.

Steffen, Therese. (2003) Rita Dove (b.1952) : Poet, Novelist, Playwright. In: Encyclopedia of the Midwest. Ohio.

Steffen, Therese. (2002) Between Transnationalism and Globalization : Kara Walker's Cultural Hybridities. In: Globalisation. Tübingen, pp. 89-111.

Steffen, Therese and Marzahn, Alexander. (2002) Introduction. In: Masculinities - Maskulinitäten, vii-xi. Stuttgart.

Steffen, Therese. (2001) Crossing color : transcultural space and place in Rita Dove's poetry, fiction, and drama. W.E.B. Du Bois Institute. Oxford.

Steffen, Therese. (2001) Vom Senex Iratus zu Prospero: Führen, Halten, Loslassen in Shakespeares Werk : die Zweite Lebenshälfte aus Geschlechtstypischer Perspektive. In: Jenseits des Zenits : Frauen und Männer in der zweiten Lebenshälfte. Bern, pp. 157-171.

Steffen, Therese. (1999) Rooted Displacement in Form : Rita Dove's Sonnet Cycle "Mother Love". In: The furious flowering of African American poetry. Charlottesville, pp. 60-76.

Steffen, Therese. (1999) [Rezension von] Osbome, Laurie E. "The Trick of Singularity: 'Twelfth Night', and Performance Editions". Studies in Theater History and Culture : Iowa City: University of Iowa Press, 1996. Archiv für das Studium der neueren Sprachen und Literaturen, Bd. 236. pp. 430-431.

Steffen, Therese. (1998) Shadowlines. Zürich.

Steffen, Therese. (1998) The darker face of the earth : a conversation with Rita Dove. Transition, Vol. 74. pp. 104-123.

Steffen, Therese. (1998) Theme and Form: Rita Dove's Sonnet Cycle "Mother Love". In: Freedom and form : essays in contemporary American poet. Łódz, pp. 104-119.

Steffen, Therese. (1997) Beyond Ethnic Margin and Cultural Center : Rita Dove's 'Empire of Mother Love. SPELL, vol. 10. pp. 225-241.

Steffen, Therese. (1997) Hamlet und wir? : Shakespeare in neuem Licht.

Steffen, Therese. (1996) Movements of a marriage or, Looking awry at US history : Rita Dove's 'Thomas and Beulah'. SPELL, vol. 9. pp. 197-196.

Steffen, Therese. (1995) Linguistic features of cartoon captions in the New Yorker. Popular Culture Review, Vol. 6. pp. 133-147.

Steffen, Therese. (1995) Modes of Iteration in Shakespeare's Plays: The 'hanging-love' Cluster. Shakespeare-Jahrbuch, Vol. 131. pp. 128-139.

Steffen, Therese. (1993) Eudora Welty's Swiss Ancestry. Notes on Mississippi Writers, Vol. 25, H. 1. pp. 19-36.

Steffen, Therese. (1992) Twelfth night, or, What you will = Zwölfte Nacht oder, Was ihr wollt. Tübingen.

Steffen, Therese. (1992) Wechsel in der Chefredaktion des 'New Yorkers'.

Steffen, Therese. (1990) Kunst und Weinbau in Kalifornien (Hess-Collection).

Steffen, Therese. (1975) Unsicherheit nach dem Präsidentenmord in Madagaskar : Prozess-Saison in Tananarive.

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Wittwer, Bettina. Book Reviews in the Digital Age: the Case of BookTube. 2021, Master Thesis, University of Basel, Faculty of Humanities and Social Sciences.

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Ziltener, Claude. (2007) The death-hymn of the perfect tree : metaphor, metamorphosis and the sublimity of music in R. W. Emerson's poems "Woodnotes I & II". Spell, Vol. 20. pp. 47-68.